Part I: The State of HDR Film Emulation LUTs
Part II: Moving Beyond Traditional Film Print Emulation
Part III: CineD Review of Dehancer Pro
Part IV: Dehancer Print Film Profiles
What’s new in Dehancer 5.0.0?
DEHANCER PRO
* Print profiles with Target White setting
* Kodak Vision 2383 Color Print Film profile
* Kodak Professional Endura Glossy Color paper profile
* Cineon Film Log support
* DVR WG/Rec.709 source input
* Source white balance (Temperature and Tint compensation)
* Optimizations
DEHANCER LITE
* Source white balance (Temperature and Tint compensation)
* Optimizations
What’s new in Dehancer 5.0.0 Beta 10?
DEHANCER PRO
* New print media engine
* Luts export fixed
* Colors inversion bug in ACES fixed
* Cineon Film Log input/print black screen is not reproducible
* Optimizations
Of all the improvements ushered in with the Dehancer OFX 5.0.0 update, none are more exciting than the ability to “print” on the print film Kodak Vision 2383 profile. With this update, Dehancer also acquires Printer Lights functionality using the Color Head for the very first time. In this tutorial, we demonstrate how to rapidly balance color with any combination of film negative stock and Kodak 2383. If you first follow these easy steps to enable previewing HDR content directly via the Resolve viewer, these operations can be carried out directly on a Mac, followed by finishing on an external HDR display. The screen grabs are a dim representation of what we’re seeing on our MacBook Pro. It goes without saying that with DaVinci Resolve and Dehancer, there are myriad ways to accomplish the same goal and that this workflow just provides a starting point.
Prior to working with Dehancer, you’ll want to color correct the image.
S-Log3 should be ETTR and the curve in DaVinci Resolve should look something like this.
Color correction using the X-Rite ColorChecker, Hue vs. Hue and the vectorscope.
Confirm that skin tones fall on the skin tone line in the vectorscope.
Prior to making selections in Dehancer, you’ll want to disable Film Grain first.
Along with Bloom, Halation and Gate Weave, Film Grain may be added later.
If you’ve got a Sony a7s III, select Sony, Sony ZV-1 and HLG Rec.2020.
Choose a film profile and Kodak 2383 Print Film.
Be sure to check Analogue Range Limiter!
Adjustments can be as simple or as complex as you like. For this particular
clip, we just reduced exposure and saturation, then white balanced using the Color Head.
Applying a film stock and print film profile like Kodak Vision 2383 is the easiest way to go from a digital looking image to a film look. Nonetheless, it would be better still if the plugin took into account the color response of the a7s III.
Part I: The State of HDR Film Emulation LUTs
Part II: Moving Beyond Traditional Film Print Emulation
Part III: CineD Review of Dehancer Pro
Part IV: Dehancer Print Film Profiles
The Daejeon Chronicles 
3 thoughts on “Dehancer Print Film Profiles”