iPhone 12 Pro as a Consumer Reference Display (cont’d)

A few years back, when a younger, more handsome Vincent Theo of HDTVTest declared in his review of the Sony BVM-X300 reference monitor, “When I say that something is reference, it means that you know this accurately reflects the director’s and producer’s intention because this is in fact the monitor that is used in post-production… Read More

MicroLED Is A Pipe Dream

For a while now, any time OLED television sets are mentioned, online commenters raise the spectre of burn-in and suggest waiting for microLED, which they insist is just around the corner. Like OLED, microLED is a self-emissive technology capable of true blacks, infinite contrast and outstanding viewing angles but with a brighter output than OLED… Read More

Switching to Resolve!

After months of agonizing, I finally broke down and hired a professional calibration technician to adjust my LG OLED C7, calling the very first name that popped up in a Google search for Ho Chi Minh City. The price was steep – $300.00 – but the quest for perfect color has become a crazy obsession.… Read More

Vincent Teoh: Colorists Should Consider an OLED TV

Vincent Teoh, in his unboxing video of the Panasonic HZ1000 OLED TV, corroborates what I’ve been saying for months now, which is that an OLED display should outperform Apple’s Pro Display XDR for HDR grading, and just might be the best budget option short of a reference monitor. When I reviewed the Apple Pro Display… Read More

Should You Be Using a Production Monitor for Grading HDR in 2020?

Just a few years ago, when HDR was still in its infancy and VESA had not yet even published standards for HDR monitors, Atomos, along with Mystery Box and several other influential content creators, were advocating the use of production monitors for grading HDR video on a budget – with some even going so far… Read More