Why I Switched to OLED for Grading

Even if you’ve only been inattentively following my blog, you probably already know by now that I’m pretty dissatisfied with my Asus PA32UCX: bad haloing in spite of 1,152 dimming zones; poorly conceived design (ports are all but inaccessible, the OSD controls are all behind the display, the hood is attached with ten easily misplaced… Read More

Selling My Asus ProArt PA32UCX-K!

Whether grading Rec. 709 or HDR footage, the colors of the Asus are too warm; and in order to calibrate the monitor, I’d need to shell out another $1,600.00 for the Teranex Mini SDI to HDMI 8K HDR, with no guarantee that the colors would be any better. For only $1,300.00, you can pick up… Read More

Plug and Play

Exhausted from weeks of struggling to get the colors of the Dolby Vision certified Asus PA32UCX to match those of my LG OLED C7, last night, in a fit of desperation, I connected the Blackmagic Ultrastudio 4K Mini directly to the television, opened up a long dormant project in Final Cut Pro, began grading, and… Read More

Asus PA32UCX: HDR Modes Locked Out

Update 23.01: I have since confirmed that HDR PQ modes do indeed work with the Asus PA32UCX, UltraStudio 4K Mini and Final Cut Pro. Also, I did not realize at the time I posted this that Daniel was not using an I/O box. The BMD UltraStudio works with both DaVinci Resolve and Final Cut Pro.… Read More

Pro Display XDR Blooming, A Colorist’s First Impressions & Cost Reappraisal

At long last, we’re presented with a refreshingly realistic evaluation of the Pro Display XDR that doesn’t read like the many puff pieces by tech writers and editors claiming that Apple’s display renders OLED reference monitors obsolete. Ryan McNeal writes over at liftgammagain: So I’ve got my Pro Display XDR setup and wanted to post… Read More