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https://youtu.be/kKSrUCp4NsA R3D RAW HDR Video Details: Model: Ngô Hài Hà. RED Komodo 6K. Meike super35 50mm T2.1 Cinema Prime. Kolari ND3. 6K 17:9 R3D MQ ISO 400, 24 FPS, T2.1. Edited in DaVinci Resolve Studio 18.6. MacBook Pro (late 2021), LG CX. ISO changed from 400 to 250 in post. No noise reduction.
The Flanders XMP550 QD-OLED reference mastering monitor vs. the Sony Bravia XR A95L on Calman’s rigorous ColorMatch test, which measures the performance of the display with samples extracted from true HDR content. Both displays use panels from Samsung Display. The Flanders was measured by Linus Tech and the Sony measurements are from Digital Day. Pretty... Continue Reading →
https://daejeonchronicles.com/2024/02/17/tons-of-free-sample-footage Check out our post about MediaStorm here In the morning, I went to the market, found someone who had WeChat, they scanned my QR code to verify me and I went ahead and followed MediaStorm on the app. Then I had a delicious bowl of crab noodle soup at the market. Later, I signed... Continue Reading →
Quantum 32 is the result of a partnership between SmallHD and Samsung Display Corporation to create an HDR reference monitor that meets the requirements of motion picture production and post. SDC has pioneered quantum dot OLED, utilizing Nobel Prize-winning nanotechnology to achieve unparalleled color and dynamic range.
Can never get enough sample footage. The super generous folks over at the YouTube channel MediaStorm are offering an unprecedented amount at ysjf.com - much of it for free! https://youtu.be/sAWK0mgrMp4?si=_jz3rHyP00hOGV-stheb
Just as with the Venice, Sony sells licenses to unlock features on its high-end reference monitor, the BVM-HX3110, with one going for $2,500.
AV1 is of particular interest to the industry because it’s royalty-free; it offers better compression efficiency and takes up less bandwidth than HEVC; it suffers fewer instances of buffering and has improved video quality. However, we're primarily interested in the codec’s film grain synthesis, because as things stand now, film grain just looks like trash... Continue Reading →
“The cinematographer’s job to do good HDR is don't clip the signal.” Juan Cabrera, Senior Colorist & Founder at LightBenders From On the Calculation and Usage of HDR Static Content Metadata by Michael D. Smith and Michael Zink “A simple histogram analysis shows the distribution of pixel values within an image and can be used... Continue Reading →
Apple Vision Pro will be the first home entertainment device offering Disney's HFR versions of James Cameron's movies at home. In the future, Pixelworks intends to establish a logo certification program for TVs and other consumer devices featuring TrueCut Motion, ensuring that devices like TVs play the HFR version of the movie exactly as intended,... Continue Reading →
Profile 20 is the first Dolby Vision profile which supports MV-HEVC and enables the delivery of Stereoscopic (3D) video. All other Dolby Vision profiles only support monoscopic (2D) video, whereas profile 20 is able to carry stereoscopic views and target new devices and use cases. Dolby Vision profile 20 brings forward new capabilities for playback... Continue Reading →
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