In this video, I give some brief early impressions of using an OLED TV for grading, how I think the soon-to-be released LG CX 48″ OLED could be ideal for filmmakers and how I messed up the skin tones in my last video.
Leeming LUT Pro Sony S-Log2
I almost always shoot Cine2, but a question from a forum member over at DPReview about noisy footage at ISO 3200 inspired me to whip out my a7 III and try out S-Log2 for only the second time in two years. I dragged the clip into the Final Cut Pro timeline, threw on Paul Leeming’s… Read More
Leeming LUT Pro Sample Footage
ETTR and Color Correction Using the X-Rite Colorchecker & Leeming LUT Pro
Leeming LUT Pro + Leeming LUT Quickies
We just shared a couple of primers on exposing for skin tones and achieving perfect color using the X-Rite Colorchecker – but those are only the first steps toward getting a cinematic look. In order to obtain more accurate, pleasing color, Leeming LUT Pro is essential to the grading process – at least it is… Read More
Workflow: Leeming LUT One – Sony HLG BT.2020 for Rec.709 in FCP X
Note: If you’d like to upload HLG HDR videos to YouTube, click here.
Leeming LUT One Panasonic HLG to rec.709 v.801 Beta (RC10)
Leeming LUT Pro
Leeming LUT One Panasonic HLG to rec.709 Beta v.801 (RC2)
Leeming LUT Pro
Leeming LUT One Panasonic HLG to Rec.709 v801 Beta Test
Here’s a quick beta test of Paul Leeming’s latest version of his LUT to convert HLG to rec.709. When released, users will notice that in-camera saturation must be reduced to -5, and ETTR is highly recommended, otherwise clips will appear too dark on the timeline. Both color accuracy and dynamic range appear to have significantly… Read More
Quick Test: Sony a7 III + Leeming LUT
Paul Leeming has said he will be renting an a7 III and producing a new set of LUTs for the Sony very soon.
