This is just a superficial comparison between Sony a7s III S-Log3 and ProRes RAW HQ. Because I was recording them simultaneously, one internally, the other to a Ninja V, I had to settle on a compromise exposure. For S-Log3, I normally use the camera’s own zebras set to custom 2 lower level 94% and for… Read More
For a limited time, purchasers of DaVinci Resolve Studio 17 will receive a free DaVinci Resolve Speed Editor (value $295.00), reason enough to upgrade for many. For me though, it’s all about the new HDR grading tools. When working in Final Cut, I make my basic adjustments (till now I haven’t done any proper grading!)… Read More
The video was shot in available light, no reflectors or diffusers. Equipment used: iFootage Wildbull T7 tripod, Tuba cage, Bright Tangerine Titan arm, Ninja V.
I had a shoot yesterday where I was recording ProRes RAW HQ using the 135mm GM and the look’s nothing less than incredible, as you can imagine, the only problem being, with this combination the camera had to be mounted on a tripod. Which is why I’m looking into one of the new DJI gimbals… Read More
Those ProRes RAW HQ files are incredible. Far from the most photogenic human bean on earth, but when shooting with the a7 III, my skin always looked splotchy. a7s III skin tones are a ginormous improvement. Meanwhile, I’m still awaiting answers to a couple of questions about the Ninja V, in particular about the zebras… Read More
Update [26.10.2020] I realized this afternoon that the a7s III can be changed to S-Gamut3 in camera and the Ninja V makes the change automatically too. That may only affect the display and not the actual metadata, but hardly anyone is shooting RAW so there’s very little info available. Atomos says it only affects the… Read More
From what I can tell, Ninja V exposure tools aren’t working properly. Additionally, Final Cut Pro reads ProRes RAW as S-Gamut3, whereas the Ninja V says it’s being recorded as S-Gamut3.cine. If the files are indeed S-Gamut3.cine, that means hours of extra rendering time for projects. Edit: Atomos responded quickly to my questions. Here’s the… Read More
Working with ProRes RAW in FCP X couldn’t be simpler. Pretty much every clip I’ve shot with the a7s III, whether internally or externally to the Ninja V, skin tones have been falling directly on the skin tone line in the vectorscope, something that I couldn’t be certain of when shooting with the a7 III.… Read More