The workflow is for Cullen Kelly's discontinued Core Elements Creative LUT Pack, but is applicable to his Voyager LUT Pack and film print emulation LUTs as well. https://youtu.be/0ERXpfUuRQ4 Description of the Core Elements Creative LUT Pack (discontinued) from Cullen Kelly's website: Create studio-grade cinematic looks Tailor to your vision Use for HDR, SDR, and everything... Continue Reading →
Pick Up Free Color Grading & Look Design Kit
This kit includes: - Kodak 2383 Film Print LUT for ACES and DaVinci Wide Gamut- Mid-grey Cheatsheet with reference points for 14 different tone curves- An Exposure Chart DCTL that gives a customizeable ramp and step chart for 14 different tone curves inside Resolve- YouTube & Frame.io Export LUT
LG: HDR10 No Longer At The Top Of The HDR Hierarchy
In April, LG published a help guide entitled Dolby Vision vs. IMAX and HDR10: A Comparative Analysis. Here’s some of what the Korean electronics manufacturer had to say about Dolby Vision and HDR10: Dolby Vision “Dolby Vision is a visual technology designed to enhance the viewing experience to unprecedented levels. It empowers visual creatives to... Continue Reading →
Ridiculous Dolby Gaming Ad
https://youtu.be/yUwPaVpbJE8?si=DBh054MPW560Lg3g Dolby released an ad on YouTube showing 'consumers' going wild over the Dolby Atmos audio and picture quality of Dolby Vision gaming. One of the participants exclaims, "I think the depth and color of the blacks are very well represented." Only they're all sitting in an impossibly brightly lit room, the worst possible scenario... Continue Reading →
NAB Chooses Fascism
Sky News reports: The National Association of Broadcasters (NAB) decided to rescind an offer to award De Niro with the Leadership Foundation's Service to America Award, which he was set to receive on Tuesday. A spokesperson said the event at which the actor would have received the prize "is proudly bipartisan, uniting those from across the political... Continue Reading →
All Of Our Quick Start Video Tutorials Under One Roof
RAW Convertor doesn't convert the ProRes RAW files into the color space and gamma that they were shot in. Rec709, P3-60 and Blackmagic Design Film are the only options to develop the RAW files, not Slog3 and S.Gamut 3 Cine. Is there a possibility to fix this in a future update or am I maybe... Continue Reading →