Frank Glencairn fancies himself a senior colorist, so it's baffling why he would recommend a YouTube tutorial filled with blunders that any experienced colorist ought to be able to spot at a glance. EXPOSURE (1) The YouTuber recommends zebras and waveforms for exposure, but bewilderingly overlooks false color, one of the most useful exposure tools... Continue Reading →

Much streamed HDR content is virtually indistinguishable from SDR. Nate McFarlin, Staff Content Engineer, Dolby Laboratories, says that film schools are partly to blame for failing to teach HDR acquisition and post-production. Joey D’Anna: Are people adopting HDR more now than they have before? Or is it still kind of that niche, nerdy thing for... Continue Reading →