Green Tinge
There’s an interesting discussion over at Diglloyd about color shifts when stopping down the Sigma Art 105mm f/1.4 (though this shift can be seen to some degree in other lenses as well). When it comes to custom white balance, Lloyd Chambers has this to say: Then there is the question of correction for secondary color, which... Continue Reading →
Thoughts on the Sony a7 III from a GH5 User
Some Panasonic diehards claim the only drawbacks of the GH5 are poor autofocus and weak low light ability. Yet few things in photography are as important as the ability to gather light and focus! Reliable AF-C is huge, and the a7 III has it in spades. Particularly useful for shooting at wide apertures and gimbal work. And... Continue Reading →
Sony a7 III: Lousy Skin Tones?
Sony a7 III, Sony 85mm f/1.8, ISO 400, Mixed daylight/fluorescent, no color correction in post People used to say, yeah, but what about Caucasian skin tones? Now they're saying, yeah, but how about under a mix of daylight, fluorescent and tungsten? Oh, I almost forgot - I've heard that skin tones suffer at ISO 100,000!... Continue Reading →
Quick Test: Sony a7 III + Leeming LUT
https://youtu.be/GqJlQEkxntA Paul Leeming has said he will be renting an a7 III and producing a new set of LUTs for the Sony very soon.
Close Up: Sony a7 III Face Detect Autofocus
https://youtu.be/N37N59qsNQM "Tears of a Clown" by Audiobinger License
Sony a7 III: What About the Skin Tones?
We keep hearing in the online community how awful Sony's skin tones are. Yet when I share images, the usual response is, yeah, Sony's fine for Asians, but Caucasian skin tones are still atrocious. However, when custom white balancing, they're really not all that bad. What I am noticing when watching YouTube videos are abrupt... Continue Reading →
Do I Regret Purchasing the a7 III?
Stay tuned! Sony a7 III, Sony 85mm f/1.8, ISO 400, Mixed daylight/fluorescent, no color correction in post (shadows pulled down slightly) https://www.youtube.com/watch?v=yhCa181OJqA&feature=youtu.be "Synthwave" by Ryan AndersenLicense
Sony a7 III + Voigtlander Macro 65mm f/2: Field Test
https://youtu.be/gOZ6pquMuvY "Rise" by Brock TylerSourceLicense
Sony a7 III: Skin Tones
More skin tone samples from the Sony a7 III, this time shot with the Voigtlander 65mm f/2 lens. Mixed lighting daylight/fluorescent, ISO 800. No color correction in post: I just pulled the shadows down a bit. To be quite honest, I'm very satisfied with both Caucasian and Asian skin tones straight out of the camera. I shot... Continue Reading →
Sony a7 III Skin Tones
My biggest fear before purchasing the a7 III were the skin tones. I half dreaded they'd be a nightmare to work with. But having shot with the camera a bit, I must say the skin tones aren't bad at all, especially since I hardly did any color correction in post. Sorry, the screen grabs aren't... Continue Reading →
Leeming LUT Pro – Panasonic HLG for Rec709 – 2018062405 Beta + Leeming LUT Quickie Basic Balanced v2
https://youtu.be/bQCVuopOJRc "Stages of Awakening" by Podington Bear Source License Leeming LUT Pro
a7 III + Sony Planar T* FE 50mm f/1.4 AF-C Face Detect Test
Sony a7 III + Sony Planar T* FE 50mm f/1.4 https://youtu.be/QtJl2G1NcD0 "3rd" by Kosta TSourceLicense
Autofocus Test: Sigma Art 50mm f/1.4 Sony E Mount
I exchanged the Sigma for the Sony 16-35mm f/2.8. The Sigma autofocus was just too slow and unreliable. https://youtu.be/NOcGT1gwBBo "City Lights" by AudiobingerSourceLicense
Leeming LUT Pro – Panasonic HLG for Rec709 BETA
The screen grab below is from a clip using the first beta LUT made by Paul Leeming with the CamAlign chart, making it the most accurate LUT to date for Panasonic HLG rec.709.
The Eternal Quest for Perfect Color
X-Rite i1 Display Pro The search for perfect color is never-ending, but I’ve just added one tool to my arsenal that was long overdue – a display calibrator – which should help bring me much closer to my goal. Two reasons I waited so long are that calibrators aren’t cheap here in Vietnam; and I... Continue Reading →
Fuji Rig
Fuji X-T2 + Veydra Mini Prime, Tuba cage and rails, Tilta follow focus, Bright Tangerine Titan arm and Blackmagic Design Video Assist (not shown).
Fuji X-T2 + Veydra Mini Prime 50mm T2.2
Fuji X-T2, Veydra Mini Prime 50mm T2.2, Classic Chrome, ISO 800, T2.8