Why I Switched to OLED for Grading

Even if you’ve only been inattentively following my blog, you probably already know by now that I’m pretty dissatisfied with my Asus PA32UCX: bad haloing in spite of 1,152 dimming zones; poorly conceived design (ports are all but inaccessible, the OSD controls are all behind the display, the hood is attached with ten easily misplaced… Read More

Selling My Asus ProArt PA32UCX-K!

Whether grading Rec. 709 or HDR footage, the colors of the Asus are too warm; and in order to calibrate the monitor, I’d need to shell out another $1,600.00 for the Teranex Mini SDI to HDMI 8K HDR, with no guarantee that the colors would be any better. For only $1,300.00, you can pick up… Read More

HDR Calibration: What They Don’t Tell You

The reason production houses spend as much as $40,000 on reference monitors is quite simple: they need to have unwavering confidence that their work is going to be displayed exactly as intended. However, all displays change with time, and the only way to ensure consistent results is to calibrate them on a regular basis.* Yet,… Read More