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Grain is one of the key components of the film look but few things are more distracting than seeing clumps of film grain dancing around on the talent's face. One solution is to use the HSL qualifier to isolate skin tones and use the keyer to de-emphasize the grain. An even easier way is to... Continue Reading →
Part I: The State of HDR Film Emulation LUTs Part II: Moving Beyond Traditional Film Print Emulation Part III: Negative and Print Clarified The final fundamental to grading photographically is to use a good print stock. This concept is largely forgotten today but for a century or more, print stock played a key role in... Continue Reading →
The Daejeon Chronicles 