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Note: If you'd like to upload HLG HDR videos to YouTube, click here. 1) Import files. 2) Select clips in the timeline and in the inspector click on Color Space Override then select Rec.709 from the drop-down menu. 3) Select clips in the timeline and in the inspector, click on Camera LUT then select Leeming... Continue Reading →
Lumix GH5, Olympus 45mm f/1.2 Pro, Leeming LUT One Beta v.801, no correction in post. Lumix GH5, Olympus 45mm f/1.2 Pro, Leeming LUT One Beta v.801, curves adjustment only. Leeming LUT Pro
Lumix GH5, Olympus 45mm f/1.2 Pro, curves adjustment, no color correction in post. Leeming LUT Pro
Here's a quick beta test of Paul Leeming's latest version of his LUT to convert HLG to rec.709. When released, users will notice that in-camera saturation must be reduced to -5, and ETTR is highly recommended, otherwise clips will appear too dark on the timeline. Both color accuracy and dynamic range appear to have significantly... Continue Reading →
Paul Leeming should be just about to release v602 of his LUT for Panasonic HLG, the most accurate one to date. Here are a couple screen grabs of clips shot with the Veydra Mini Prime 25mm T2.2 and graded with the new LUT.
Below are some screen grabs from a series of videos shot with the Veydra Mini Primes.Camera: Lumix GH5Lens: Veydra Mini Prime 85mm T2.2Settings: HLG, ISO 400, ALL-Intra, 400Mbps, T2.2Leeming LUT Pro Beta v602
https://www.youtube.com/watch?v=Zjx9nNtdNQ0 "Easy" by SPCZSourceLicense
https://youtu.be/OQMlDPNcp98 "Hold Me Close" by Ryan Andersen Creative Commons
Lots of dire predictions of the imminent demise of the GH5 following rumored specs of the soon-to-be announced GH5s. Another wtf moment...
I'm running out of superlatives, but sensational is the only word I can think of that describes the color and tonality that are possible when using the Leeming LUT with Panasonic HLG footage. Head on over to Leeming LUT One to purchase yours today. Lumix GH5, Olympus 75mm f/1.8, ISO 400, HLG, All-Intra, 400Mbps
With the new Leeming LUT One for Panasonic HLG with 16-235 range adjustment (beta), the order of operations in FCP X has been greatly simplified. First, create your library, event and project and import your media as usual. Next, select the clips in the browser, and in the Inspector, click on Camera LUT - Custom... Continue Reading →
I've been relying on Paul Leeming's LUTs for several months now to restore the rec. 709 color space to my Cinelike D footage, and more recently for previewing V-Log Lite in camera and for color correction in post. Last night, however, while I was reviewing a Cinelike D test shot with the GH5 prior to... Continue Reading →
The Daejeon Chronicles 