Here’s a screen grab from the model shoot yesterday, shot with the Sony a7 III, FE 85mm f/1.8, Hoya ND8, S-log2, ISO 800, f/6.3 and graded with Leeming LUT Pro. Very excited about the new LUTs, and S-log2 is now my very favorite picture profile; but the banding in the sky just kills it for… Read More
Great Skin Tones With DaVinci Resolve & Leeming LUT Pro
Shot with the Sony a7 III and S-log2.
Alpha Cameras Just Got A Whole Lot Better
With the release of Paul Leeming’s ‘Athena’ LUT, Sony Alpha cameras now have dazzling color. The video was shot with the a7 III, Sony 85mm f/1.8, Cine2 picture profile and edited in DaVinci Resolve using an LG OLED as a grading monitor.
Leeming LUT Pro ‘Athena’
Alongside the newly released Pro II LUTs, Paul Leeming has also given us Athena LUTs, which he says “are a brighter version of Pro II, designed around placing middle grey (also known as 18% grey) at the 50% IRE level after the LUT has been applied, while retaining the same perfect colorimetry”. Both Athena and… Read More
Working With Leeming LUT Pro in DaVinci Resolve
Once you’ve added your LUT folders in Resolve, applying LUTs to your clips couldn’t be any easier.
Get Stunning Color From Your a7 III
If the audio sounds a little better in this tutorial, it’s thanks to Serge M’s wonderful guide to using the Audio Compressor effect in Final Cut Pro.
Magical: Leeming LUT Pro + RocketStock LUTs
Here are a few screen grabs from a recent project, shot with the Sony a7 III, FE 85mm f/1.8, Cine2 and graded with Leeming LUT Pro and RocketStock LUTs.
Sample Footage: Leeming LUT Pro Quickie Neutral Film 103
Sony a7 III Grade Reveal
RocketStock Video Assets and LUTs
The intro reel was shot using the G85, GH5 and a7 III and footage was graded with Leeming LUT Pro and RocketStock LUTs. Had a lot of fun with the Volumetric and Dust overlays from RocketStock.
