After months of agonizing, I finally broke down and hired a professional calibration technician to adjust my LG OLED C7, calling the very first name that popped up in a Google search for Ho Chi Minh City. The price was steep - $300.00 - but the quest for perfect color has become a crazy obsession.... Continue Reading →
Vincent Teoh: Colorists Should Consider an OLED TV
https://youtu.be/VDG_lmEPc_g?t=1013 Vincent Teoh, in his unboxing video of the Panasonic HZ1000 OLED TV, corroborates what I've been saying for months now, which is that an OLED display should outperform Apple's Pro Display XDR for HDR grading, and just might be the best budget option short of a reference monitor. When I reviewed the Apple Pro... Continue Reading →
Why I Switched to OLED for Grading
https://youtu.be/3c4Q1ScSqPY Even if you’ve only been inattentively following my blog, you probably already know by now that I’m pretty dissatisfied with my Asus PA32UCX: bad haloing in spite of 1,152 dimming zones; poorly conceived design (ports are all but inaccessible, the OSD controls are all behind the display, the hood is attached with ten easily... Continue Reading →
Selling My Asus ProArt PA32UCX-K!
Whether grading Rec. 709 or HDR footage, the colors of the Asus are too warm; and in order to calibrate the monitor, I'd need to shell out another $1,600.00 for the Teranex Mini SDI to HDMI 8K HDR, with no guarantee that the colors would be any better. For only $1,300.00, you can pick up... Continue Reading →
Plug and Play
Exhausted from weeks of struggling to get the colors of the Dolby Vision certified Asus PA32UCX to match those of my LG OLED C7, last night, in a fit of desperation, I connected the Blackmagic Ultrastudio 4K Mini directly to the television, opened up a long dormant project in Final Cut Pro, began grading, and... Continue Reading →
Asus PA32UCX: HDR Modes Locked Out
Update 23.01: I have since confirmed that HDR PQ modes do indeed work with the Asus PA32UCX, UltraStudio 4K Mini and Final Cut Pro. Also, I did not realize at the time I posted this that Daniel was not using an I/O box. The BMD UltraStudio works with both DaVinci Resolve and Final Cut Pro.... Continue Reading →
Pro Display XDR Blooming, A Colorist’s First Impressions & Cost Reappraisal
A comparison between Apple's 6K monitor, the FSI XM310K (zoned dimming) and XM311K (dual panel). At long last, we're presented with a refreshingly realistic evaluation of the Pro Display XDR that doesn't read like the many puff pieces by tech writers and editors claiming that Apple's display renders OLED reference monitors obsolete. Ryan McNeal writes... Continue Reading →