Magical: Leeming LUT Pro + RocketStock LUTs

Here are a few screen grabs from a recent project, shot with the Sony a7 III, FE 85mm f/1.8, Cine2 and graded with Leeming LUT Pro and RocketStock LUTs. Straight out of camera. Waveform (Luma). RGB Parade. Vectorscope. Leeming LUT Pro, pulled down shadows, boosted saturation. RocketStock LUT (Korben). RocketStock LUT (Arabica). RocketStock LUT (Fusion).... Continue Reading →

Project Screen Grabs

All shot with the Sony a7 III and 85mm f/1.8, ISO 100, sharpening at -7. I was working in ultra-harsh lighting from around 9:00 - 10:30AM, no reflector. Since I'm having serious banding issues because of YouTube compression, it's going to be a while before I sort it out and upload. This also happens to... Continue Reading →

Phuong: Extended Version

I've tweaked the audio, given the video punchier blacks, used the new comic book effect in Final Cut Pro sparingly, reduced the duration of a couple of clips, added new footage of Phuong shot a couple of days ago and removed the green tint in some of the clips. https://youtu.be/vq6wjan2TqU "Evening Forever" by KieLoKazLicense

Sony a7 III: Phuong

We met up yesterday morning and took a taxi to the Fine Arts Museum (formerly a private villa designed by a French architect and constructed in the early 20th century) but because of the heavy traffic, instead of the usual ten minutes, it ate up a precious thirty minutes of the two hours I normally... Continue Reading →

Sony a7 III: Lousy Skin Tones?

Sony a7 III, Sony 85mm f/1.8, ISO 400, Mixed daylight/fluorescent, no color correction in post People used to say, yeah, but what about Caucasian skin tones? Now they're saying, yeah, but how about under a mix of daylight, fluorescent and tungsten? Oh, I almost forgot - I've heard that skin tones suffer at ISO 100,000!... Continue Reading →

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