Lumix GH5, Olympus 45mm f/1.2 Pro, curves adjustment, no color correction in post. Leeming LUT Pro
Leeming LUT One Panasonic HLG to rec.709 Beta v.801 (RC2)
Leeming LUT One Panasonic HLG to Rec.709 v801 Beta Test
Here's a quick beta test of Paul Leeming's latest version of his LUT to convert HLG to rec.709. When released, users will notice that in-camera saturation must be reduced to -5, and ETTR is highly recommended, otherwise clips will appear too dark on the timeline. Both color accuracy and dynamic range appear to have significantly... Continue Reading →
Three Popular Misconceptions about Panasonic Debunked
1. Panasonic's in-camera correction for lens aberrations is unacceptable. Listen to what Roger Cicala has to say about the subject in his review of the Sony 24-105mm f/4 zoom back in February: The simple fact is that Sony, more than any other company, is using electronic correction to a degree that we haven’t seen before. Some seem... Continue Reading →
Sony a7 III: Magenta Cast
https://youtu.be/qnHb8bD4nqU "Bounced" by Cheese N Pot-CLicense
Sony a7 III: The Perfect B-Cam?
I shared my latest a7 III video and some screengrabs with a respected filmmaker who shoots with the GH5s and asked for his opinion about the tonal transitions, color, noise, detail and highlight roll off. I did not ask him to evaluate nonsense like ISO 100,000, or any other such pointless rubbish cluttering the Internet.... Continue Reading →
Sony a7 III: Extraordinary Shadow Detail
Sony's a7 III has been widely praised for its good low light performance, but it's seldom acknowledged how exceptionally clean the shadows are even at low ISOs. It might also be assumed that because we're shooting 8-bit rec.709 video, that tonal transitions must necessarily suffer - but in actual practice, Sony's are in fact superior... Continue Reading →
More Wholesome a7 III Goodness
https://youtu.be/KC5HnGsgGKU "Submersed Phonics" (JBYo Collab) by SroLicense Screen grabs, ISO 400, Sony 85mm f/1.8 at or around f/3.2, no color correction in post, shadows pulled down slightly.
Sony Dominates FF Sales in USA
Four out of ten full frame cameras sold in the first half of 2018 were manufactured by Sony. It’s also been reported that in the overall mirrorless market, Sony has held the No.1 spot in both dollars and units for more than six years. The company attributes much of its recent success to the overwhelming popularity of the a7r III, a7 III... Continue Reading →
Further Thoughts on Full Frame After Shooting m4/3 for Five Years
https://youtu.be/eN64GtCmotk Buttons. Two of the most annoying on the a7 III are the menu button, which is inexplicably located to the left of the EVF; and the lens release button, which is tiny and very difficult even with rather slender fingers to reach with the handgrip scrunched so close to the lens mount. Some buttons might advantageously be... Continue Reading →
Sony a7 III: Ungraded/Graded
https://youtu.be/YoN2t4m4XzQ "Runners Fields - Cleanversion (ID 728)" by Lobo LocoLicense
What Nikon’s Gotta Do to Beat the a7 III
Okay, now for a few quibbles with the a7 III for those who are on the same page when it comes to Sony’s state-of-the-art FF mirrorless (that is, not some pie-in-the-sky $2,000 Canon mirrorless in 2020 with no crop, functioning DPAF in 4K, no crippled HDMI out, blah, blah) being the one to beat in 2019. Screen... Continue Reading →
Sony Distagon T* FE 35mm f/1.4
The Sony Distagon 35mm f/1.4 is a heavyweight among my primes. https://youtu.be/2iEo7NI1e-o "Fission Core" by Parvus DecreeLicense
Z Mount Euphoria
Ever since Nikon's announcement of a full frame mirrorless camera, the forums and YouTube have been rife with speculation. But perhaps most annoying of all are predictions by a few diehards that third party manufacturers will be churning out dozens of compatible lenses within months of its release. Most seasoned professionals however tend to err on... Continue Reading →
Green Tinge
There’s an interesting discussion over at Diglloyd about color shifts when stopping down the Sigma Art 105mm f/1.4 (though this shift can be seen to some degree in other lenses as well). When it comes to custom white balance, Lloyd Chambers has this to say: Then there is the question of correction for secondary color, which... Continue Reading →
Thoughts on the Sony a7 III from a GH5 User
Some Panasonic diehards claim the only drawbacks of the GH5 are poor autofocus and weak low light ability. Yet few things in photography are as important as the ability to gather light and focus! Reliable AF-C is huge, and the a7 III has it in spades. Particularly useful for shooting at wide apertures and gimbal work. And... Continue Reading →
Sony a7 III: Lousy Skin Tones?
Sony a7 III, Sony 85mm f/1.8, ISO 400, Mixed daylight/fluorescent, no color correction in post People used to say, yeah, but what about Caucasian skin tones? Now they're saying, yeah, but how about under a mix of daylight, fluorescent and tungsten? Oh, I almost forgot - I've heard that skin tones suffer at ISO 100,000!... Continue Reading →
The Daejeon Chronicles 