For a limited time, purchasers of DaVinci Resolve Studio 17 will receive a free DaVinci Resolve Speed Editor (value $295.00), reason enough to upgrade for many. For me though, it’s all about the new HDR grading tools. When working in Final Cut, I make my basic adjustments (till now I haven’t done any proper grading!)… Read More
Garden variety 8-bit SDR TV has a displayed dynamic range of around 32:1, or 5 stops, while HDR has in the neighborhood of 14 stops, which corresponds roughly to the sensitivity of the human eye for a single, or static scene. HDR also has a vastly greater color volume than SDR. Videos uploaded to YouTube… Read More
The video was shot in available light, no reflectors or diffusers. Equipment used: iFootage Wildbull T7 tripod, Tuba cage, Bright Tangerine Titan arm, Ninja V.
I had a shoot yesterday where I was recording ProRes RAW HQ using the 135mm GM and the look’s nothing less than incredible, as you can imagine, the only problem being, with this combination the camera had to be mounted on a tripod. Which is why I’m looking into one of the new DJI gimbals… Read More
We should have a new HDR10 video up in the next week.
This weekend, Armando Ferriera will be uploading a video to his YouTube channel in which house colorist at Dolby Laboratories in California Shane Ruggieri talks about his workflow grading a7s III footage. Shane is one of the world’s foremost experts on high dynamic range video. And here it is!
At just $6499 for a set of six lenses – 25/35/50/75/100/125mm T2.1 (PL or EF) – that’s what I paid for my Veydras back in the day!
The Sigma 85 is simply unbelievable! That and the a7s III are a dream combo. Shot with XAVC S-I 600M 10-bit 4:2:2 at 60p.
Those ProRes RAW HQ files are incredible. Far from the most photogenic human bean on earth, but when shooting with the a7 III, my skin always looked splotchy. a7s III skin tones are a ginormous improvement. Meanwhile, I’m still awaiting answers to a couple of questions about the Ninja V, in particular about the zebras… Read More