I’m hoping to do another video this week shot with the Voigtlander Macro Apo-Lanthar 65mm f/2, among the sharpest lenses in the E-mount system and one that has been largely ignored by YouTubers. I’ve just got to pick up a long HDMI cable so I can confirm focus with my Shogun Inferno while the camera… Read More
I’ve been going through a lot of different themes and trying to organize the site so it’s as clutter-free and usable as possible, including eliminating all the distracting widgets in the right sidebar and adding category menus for quick navigation of the blog. I’m also slowly going through my old posts, particularly the post-production workflows… Read More
In this video, I give some brief early impressions of using an OLED TV for grading, how I think the soon-to-be released LG CX 48″ OLED could be ideal for filmmakers and how I messed up the skin tones in my last video.
Anton Lorimer, filmmaker for SmugMug, is one seriously talented guy!
This is only the second video graded using the LG OLED C7. I talk about the lighting arrangement, the digital audio recorder I’ll be using until I can find a decent microphone and the new curtains in my room. 🙂
For as long as I can remember, I’d been attaching the Titan arm to the rosette mount of my Benro S8 video head. But it was less than ideal, not only because it increased the likelihood that someone would bump into the attached monitor, it also meant that I was always looking to the side… Read More
Exhausted from weeks of struggling to get the colors of the Dolby Vision certified Asus PA32UCX to match those of my LG OLED C7, last night, in a fit of desperation, I connected the Blackmagic Ultrastudio 4K Mini directly to the television, opened up a long dormant project in Final Cut Pro, began grading, and… Read More