HDR Notebooks to Flood Market

Following the praise lavished on Apple's new MacBook Pro lineup featuring Liquid Retina XDR mini-LED displays, industry watchers are now betting on rivals sitting up, taking notice and following suit, increasingly incorporating either OLED or mini-LED displays in their own notebooks. This can only be a good thing, as the 270m notebook market lags deplorably... Continue Reading →

Mind Saturation & Noise Reduction

Saturation While the extended color volume of HDR results in perceptibly more vibrant colors able to retain saturation and brightness without compromise, it pays to be cautious with saturation. Glowing skin and radioactive foliage are indications that saturation is cranked up too high. To assess saturation, use the vectorscope. In order to see the highlight... Continue Reading →

Do Not Upgrade to Resolve 17.4!

The other day, we cautioned Mac M1 users against updating to Resolve 17.4 because of acknowledged issues with getting HDR on an external display and today we learn that Resolve 17.4 can't export Dolby Vision IMF files. Aaron Hayden, colorist and owner of Color Monkey, writes: "Trying to export a UHD Dolby Vision IMF using... Continue Reading →

Remote Collaboration

Aaron Hayden, colorist and owner of Color Monkey, a post-production house located in Los Angeles, California, in response to Vincent Theo's comparison of Apple's iPhone 12 Pro to the Sony BVM-X300 reference mastering monitor, adds the following: "No joke, in the current Covid environment and everyone working remotely, Netflix recommends producers review HDR color/online on... Continue Reading →

Why We Won’t Be Picking Up the a7 IV

Having seen the reviews and checked out the footage, we're afraid we're going to have to take a hard pass on the long awaited a7 IV. The colors aren't as nice, it appears to have worse underexposure latitude, the rolling shutter is pretty awful and there's that 60p crop. For reasons they couldn't pinpoint, CVP... Continue Reading →

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