The number one resource for information about HDR technology, workflows, tutorials, news and opinion.
There are now one or two excellent online tutorials for grading in HDR for delivery to YouTube, however (1) they restrict the discussion to V-Log L; (2) the workflows are either in DaVinci Resolve or NLEs other than FCPX; (3) they require the use of expensive external monitors and (4) they're overly long and complicated,... Continue Reading →
My very first HDR upload to YouTube. Should be viewed on an HDR television or smart phone. Expect workflow tomorrow. https://www.youtube.com/watch?v=15VPpnGxG0E If your television does not show the following flags, you're not viewing in HDR. "Hold Me Close" by Ryan Andersen Creative Commons
I know some think I've been going on too long about the GH5s, so this will be my last post about the camera. 😂 Many have already pre-ordered the GH5s for its increased low light sensitivity and supposedly greater dynamic range. Not a few of these filmmakers have owned the GH5 for less than a... Continue Reading →
Filmmakers are clamoring to see real world examples demonstrating the superiority in dynamic range of the GH5s over the GH5. Several have said they won't purchase the camera unless it delivers fourteen stops. Imatest would be definitive, as ‘real world’ tests aren't repeatable. And while Mystery Box, who were paid by Panasonic to promote the GH5s for... Continue Reading →
https://youtu.be/OQMlDPNcp98 "Hold Me Close" by Ryan Andersen Creative Commons
GH5, Olympus 75mm f/1.8, HLG, ALL-Intra, 400Mbps, ISO 400
SanDisk ImageMate All-in-One USB 3.0 Reader/Writer When I purchased my MacBook Pro a year ago, it was pretty much impossible to find a USB 3.0 card reader, let alone one that included SDXC in their specifications - but at the time, there wasn't any hurry to purchase one anyway, since I always used the SD... Continue Reading →
Lots of dire predictions of the imminent demise of the GH5 following rumored specs of the soon-to-be announced GH5s. Another wtf moment...
I'm running out of superlatives, but sensational is the only word I can think of that describes the color and tonality that are possible when using the Leeming LUT with Panasonic HLG footage. Head on over to Leeming LUT One to purchase yours today. Lumix GH5, Olympus 75mm f/1.8, ISO 400, HLG, All-Intra, 400Mbps
A small but vocal minority in the video forums, which has been going on about the decided shortage of decent videos online shot with the Lumix GH5, is now pining for the good ole days of the GH2, when apparently everybody and their grandmother were shooting masterpieces with Panasonic's groundbreaking camera. Others are joining in,... Continue Reading →
With the new Leeming LUT One for Panasonic HLG with 16-235 range adjustment (beta), the order of operations in FCP X has been greatly simplified. First, create your library, event and project and import your media as usual. Next, select the clips in the browser, and in the Inspector, click on Camera LUT - Custom... Continue Reading →
Is there any difference at all between applying the new Leeming LUT - Panasonic HLG v501 (16-235) as a custom camera LUT or as a custom LUT? I'm not seeing any, but then again, I'm pretty sleepy! hehe In short order, getting unbelievably beautiful-looking color in FCP X will be as simple as highlighting all... Continue Reading →
Frame grab, Leeming LUT One beta version Panasonic HLG v501 + built-in 16-235 range adjustment Paul Leeming is working on a beta version of his Panasonic HLG LUT with a built-in 16-235 range adjustment that will eliminate the need to apply two LUTs in FCP X 10.4. The first image is with the Fixie LUT,... Continue Reading →
Update: New, simplified workflow for Leeming LUT One - Panasonic HLG v501 (16-235) here. Once you've created your library, event and project and imported footage, you'll notice that clips in the browser appear blown-out like the image below. What you'll want to do is go into Final Cut Preferences and select 'Show HDR as RAW... Continue Reading →
Lumix GH5, Olympus 75mm f/1.8, HLG, All-Intra, 400Mbps, ISO 500
Final Cut Pro users need no longer be left out in the cold when using the Leeming LUT as a result of not being able to select proper data levels. The Fixie LUT is designed to be applied to footage before the Leeming LUT and is available for free download here. Without Fixie LUT (L),... Continue Reading →
Unable to find a proper support for my newly purchased Ninja Inferno, I flew to Bangkok this morning to pick up the Bright Tangerine Titan Arm. The manufacturer claims it can support up to 8kg/17lbs, and there's no doubt in my mind that this is no exaggeration. You've really got to handle one of these... Continue Reading →
CRFTSHO is at it again, spreading falsehoods about HLG, saying it uses less of the color space of the GH5 sensor than V-Log, which simply is not true. They might come across as more credible if they had the footage to back up their claims, but their ugly, blurry, poorly exposed shots of Christmas tree... Continue Reading →
Some random observations about Veydra, Fuji, Sigma and Olympus. A comment by a viewer who'd watched my YT video, 'Why Aren't More People Talking About These Lenses?' was so spot-on that I just had to share it here. These lenses will be that sort of thing where they will go unnoticed while the company is still in business.... Continue Reading →
This is not a comprehensive look at all the available cards that will work with 400Mbps ALL-I files, only the 128GB V90 cards sold by Panasonic and Angelbird. Both cards cost roughly $250.00 when I purchased them in Singapore a couple of months ago. To the best of my knowledge, the Panasonic retails for around... Continue Reading →
The Daejeon Chronicles 