Loving the Shogun Inferno

I'd initially purchased the Inferno to shoot and edit HLG HDR video but when I ran into problems using it as an HDR grading monitor (not to mention how heavy the contraption is out in the field) it got stored away in the closet for the longest time. YouTubers Caleb Pike and Gerald Undone reawakened... Continue Reading →

Backups for Final Cut Pro

I'm often asked about my workflow, especially concerning grading, but one aspect that is pretty much overlooked is backing up work while editing. You most certainly don't want to lose hours or even weeks or months of labor due to corrupted files or a malfunctioning drive. Or the edit takes a wrong direction and you'd... Continue Reading →

Microphone Shootout Coming Soon!

We just uploaded a brief test and comparison of the Rode Wireless Go with the Rodelink Filmmaker Kit and unconditionally recommend the former for its preposterously compact size and weight as well as for its ludicrously cheap price. Nevertheless, we must add the reservation that, for the very best sound quality, it is highly recommended... Continue Reading →

How Effective Is IBIS on a Tripod?

Landscape photographers often ask whether they should use IBIS when the camera is mounted on a tripod to reduce camera shake caused by windy conditions. We couldn't emulate the windy conditions of outdoor shooting, but we were able to conduct an unapologetically unscientific test to try to answer a question which has eluded humanity for... Continue Reading →

Dust!

I talk about shooting 8-bit HLG HDR video with the a7 III, VESA’s meaningless HDR specs, my brand new gimbal, lenses I seldom shot with before and why I’m using them now, rec.709 and the film look, the best way to evaluate your lenses, the glaring absence of affordable HDR grading monitors and whether dust... Continue Reading →

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