“After fixing the issue with auto-dimming in dark scenes on its 2023 models earlier this year, LG is now also rolling out a firmware fix for its 2022 OLED models, C2 and G2.” source
4,000-Nit Display: Viewers Experience Little To No Eyestrain, Prefer Even Higher Luminances
A study where participants watched video content on an HDR display under various ambient lighting conditions and asked to complete questionnaires to document their observations and subjective preferences as well as any visual fatigue they might have experienced found that subjects reported experiencing little to no visual fatigue. Test Setup Researchers used a Dolby 37” prototype... Continue Reading →
RED’s Output Transform LUTs: Highlight Roll-Off Comparison
Really liking DaVinci Resolve's Video Collage effect. It might be best to avoid Very Soft and Hard highlight roll off when using RED's output transform LUTs. https://youtu.be/Gmg21dc7_JI
The blocking by Netflix of shared accounts works: in the US, subscribers have not grown like this since the days of COVID
The Italian tech website DDay reports: "Antenna's analyst report seems to confirm that Netflix's new policies are working. The number of new users registered to the platform in the USA has in fact skyrocketed, surpassing the peaks reached during the pandemic. Netflix's policy to combat shared subscriptions is working, at least in the US. This... Continue Reading →
“Exposing to the right is one of the best ways to set yourself up for success in your color grade”
It turns out that Cullen Kelly's a big fan of exposing to the right. Below, screen shots of an image that's been underexposed 2 stops and one that's been exposed to the right by +2 stops. Photo: Cullen Kelly. Underexposed 2 stops Photo: Cullen Kelly. ETTR +2 stops Kelly’s video on ETTR is remarkable for... Continue Reading →
Brace yourselves: HDR is coming to the skies, folks.
In an article entitled "4K OLEDs arrive on planes. United will bring 300,000 screens and 67W USB-C to high altitude," Italian tech website DDay.it reports that, "By 2025, United Airlines will install 300,000 4K OLED screens on its aircraft....When Panasonic Avionics introduced Astrova, 4K OLED screens were only available in 13” or 16” cuts. In... Continue Reading →
ARRI “Impressions” & Signature Lens Showreel 2023 (HDR and SDR Back-To-Back)
Technical note: "The clips were graded in HDR and require the appropriate EOTF to be viewed as intended. For a correct viewing of HDR content on YouTube, we strongly suggest one of the following display devices/ hardware: Apple Pro Display XDR, MacBook Pro with XDR Display, MacBook Air with XDR Displays & iPad Pro with... Continue Reading →
Everything we know about timeline color space in one post
We just revised the section on working color spaces in the Monster Guide, so we're sharing it here. When it comes to post-processing, using the fewest number of transforms and working at the highest available bit depth in a native color space greater than the display color space are key to preserving the greatest image... Continue Reading →
“We don’t actually know what the ones and zeros that we’re putting on the drives are actually telling us”
Patrick Inhofer, CEO, Mixing Light, on the perils of grading with today's reference displays: "We're in a situation now where the color volumes we're working at, the nit ranges we're working at, the brightness values we're working at, exceed the ability of any modern display to reproduce. When HDR came out, the specifications were designed... Continue Reading →
Flanders Scientific XMP550 55″ QD-OLED HDR Mastering Monitor
Flanders Scientific has announced the XMP550 reference mastering monitor featuring a UHD QD OLED panel with a peak brightness of 2,000 nits. The display is equipped with a waveform and vectorscope as well as an adjustable false color mode. The XMP550 also features Auto Calibration: simply plug in any supported probe and the monitor will... Continue Reading →
If You’re Using DWG, You Must Read This
An astrologer who shoots his content with a Sony mirrorless camera and who follows Cullen Kelly's YouTube channel asked whether it made any difference if he used Resolve Color Management and DaVinci Wide Gamut or a CST (as Cullen demonstrated in his short DaVinci Resolve tutorial) to which we replied: "They should look identical. However,... Continue Reading →
The Alexa 35: ARRI’s Most Digital-Looking Camera
The Alexa 35 is arguably ARRI's most coveted camera to date, but it also the produces the most digital-looking footage of any camera the venerable German manufacturer has yet released. Noise The noise of Alexa cameras is said to have been modeled on scans of actual film grain, resulting in a more pleasing, organic looking... Continue Reading →
Has anyone else seen this on a YT video before?
Last month, The Verge wrote about the feature: "YouTube's introducing an “enhanced” 1080p HD video quality for Premium subscribers — but it’s only available on iOS for now, with the option coming to web soon. According to YouTube, the new 1080p Premium option is “an enhanced bitrate version of 1080p” that’s supposed to make things... Continue Reading →
Atomos support for Apple ProRes RAW plugins
This is great news for ProRes RAW shooters. From NewsShooter: “Atomos has announced immediate support for Apple ProRes RAW plug-ins. Apple ProRes RAW plug-ins are a new innovation that lets camera manufacturers provide their own ProRes RAW processing pipeline to take advantage of the unique properties of their cameras, sensors, lenses, and more. With the... Continue Reading →
Tyler Purcell Is A Moron
An old post over at Cinematography.com that never grows old. Tyler can be forgiven for thinking there's no HDR content on Netflix, but 2K deliverables? :))
Working Color Space: What Colorists Aren’t Telling You
Almost without exception, colorists on YouTube who recommend using a working color space other than the native color space of the camera do so without explaining to their followers that this requires making a viewing LUT during pre-production. It’s difficult to conceive how anyone preoccupied with color management could overlook this critical detail. The following... Continue Reading →
Spotlight on Armando Salas, ASC
Can you share with the group how HDR came into your life? What was your experience, your first impressions and especially how, and if they have changed at all, with the other projects you've done? A.S.: I was hired on Ozark, on season 2. I was finishing another show and I was alternating with Ben Kutchins... Continue Reading →
RED Komodo-X TBA
Phil Holland writes: Summary of likely things or known things:- Locking RF Mount- Front Side Record button- Very likely still a top screen- Very likely compatible with DSMC3 monitors now, but not confirmed- Very likely CFexpress Type-B media- Unknown Battery Mount- Very likely 6K resolution, S35 or S35+ sensor with higher unknown framerates. Likely 60fps... Continue Reading →
Budget For Highlights: SDR vs HDR
We’ve written a lot about specular highlights, how there should be enough headroom above diffuse white and how studies have shown participants prefer specular highlights appreciably brighter than diffuse white, by as much as 3X or even more. Just how does that figure compare to SDR video? “In traditional imaging, the range allocated to these... Continue Reading →
The Daejeon Chronicles 