Grain is one of the key components of the film look but few things are more distracting than seeing clumps of film grain dancing around on the talent's face. One solution is to use the HSL qualifier to isolate skin tones and use the keyer to de-emphasize the grain. An even easier way is to... Continue Reading →
DaVinci Resolve Studio 18 Depth Map Comparison
We applied the depth map, then went ahead and added some blur.