Monster Guide: HDR10 in Resolve Studio 20 (Part III)

Part I: Project settings, Project Render Settings, Generate MaxCLL and MaxFall HDR10 Metadata Part II: RAW Part III: The Grade Part IV: The State of HDR Film Emulation LUTs & Plugins Part V: Why HDR Production Monitors Matter Color separation achieved using Cullen Kelly's Kodak 2383 PFE LUT and the Color Warper Setting A Speed Limit... Continue Reading →

August 22, 2021 21

That’s Not HDR, It’s Too Dark! Analyzing a Scene

While grading my most recent S-log3 HDR video, I realized I'd failed to reduce brightness levels down to proper values in my previous ProRes RAW HQ HDR sample. In both videos, I'm wearing an orange cap and black jacket and sitting in a dark room a few feet away from a window on an overcast... Continue Reading →

October 18, 2020 0

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