An intellectually bereft commenter in the forums over at DPR claimed that the video I shared the other day wasn’t HDR, saying: It just looks insanely grey and bland. In fact I think there’s something wrong with the video. Even the sun is not bright at all. Other HDR videos on YouTube look fine. That… Read More
I thought I’d jot down my first impressions of the PA32UCX solely in its capacity as a grading monitor for delivery to YouTube – the primary purpose for which I purchased the display. For this, I’m evaluating the image quality of an HLG HDR video edited on the Asus, uploaded to YouTube, and viewed on… Read More
Custom white balance using the X-Rite color checker. This will give you consistent results. Unfortunately, Sony makes doing custom white balance much more tedious than it needs to be. ND Filters. In broad daylight, exposures can be in the thousandths of a second at f/9 or f/10. This might be fine for architectural or landscape… Read More
I have confirmed that HDR PQ does indeed work with the Asus PA32UCX, UltraStudio 4K Mini and Final Cut Pro. Meanwhile, still shooting Sony 8-bit HLG!
Update: Do not calibrate your external monitor with a Mac. See here. In a previous post, I noted that my iMac prevented me from installing calibration software downloaded from the Asus website. I sent a message off to Asus technical support, but they’re pretty shiite. Apple support is better by miles. I since learned that… Read More
It’s mad just how clean HLG HDR videos uploaded to YouTube are when compared to standard dynamic range ones. And a by-product of the exceptional local contrast happens to be that your lenses will for the most part look much more detailed in 4K HDR than in ordinary 4K. So while the Voigtlander is crazy-good… Read More
More luscious HDR goodness, this time shot with the 16-35mm GM, 50mm f/1.4 Planar and 85mm f/1.8 lenses. Mostly architecture around Ho Chi Minh City from the French colonial era. Forget everything you heard about HLG being backward compatible: the clip must be viewed on an HDR display or it will look dreadful. “Ruby” by… Read More
Experts recommend anywhere between 55-60 IRE for skin tones, but in flat lighting, it might be beneficial to go as high as 65-70 IRE to prevent the image from becoming dull and lifeless. Naturally, one must take care not to overexpose, or the image will appear washed out.
Occasionally, YouTube doesn’t recognize the master files I create in Final Cut Pro as HLG HDR, so I’ve taken to uploading my HDR projects to YouTube through Compressor.