For a long while now, we’ve been keenly aware that highlights in skin tones and light-colored fabrics have been difficult if not impossible to recover in post, leading us to re-examine our ETTR method. After watching a video by Gerald Undone, we tried using two zebra settings, aiming for an ETTR of only +1.66 stops… Read More
The video was shot in available light, no reflectors or diffusers. Equipment used: iFootage Wildbull T7 tripod, Tuba cage, Bright Tangerine Titan arm, Ninja V.
Those ProRes RAW HQ files are incredible. Far from the most photogenic human bean on earth, but when shooting with the a7 III, my skin always looked splotchy. a7s III skin tones are a ginormous improvement. Meanwhile, I’m still awaiting answers to a couple of questions about the Ninja V, in particular about the zebras… Read More
Working with ProRes RAW in FCP X couldn’t be simpler. Pretty much every clip I’ve shot with the a7s III, whether internally or externally to the Ninja V, skin tones have been falling directly on the skin tone line in the vectorscope, something that I couldn’t be certain of when shooting with the a7 III.… Read More