Working with ProRes RAW in FCP X couldn’t be simpler. Pretty much every clip I’ve shot with the a7s III, whether internally or externally to the Ninja V, skin tones have been falling directly on the skin tone line in the vectorscope, something that I couldn’t be certain of when shooting with the a7 III. I’m guessing more accurate white balance is a contributing factor.
Download free ProRes RAW HQ footage here. Please give credit if you share.
The Daejeon Chronicles 
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