Here’s a screen grab from a project I’m working on, shot with the Sony a7 III, FE 85mm f/1.8, Hoya ND8, S-log2, ISO 800, f/6.3 and graded with Leeming LUT Pro. Very excited about the new LUTs, and S-log2 is now my very favorite picture profile; but the banding in the sky just kills it… Read More
Shot with the Sony a7 III and S-log2.
With the release of Paul Leeming’s ‘Athena’ LUT, Sony Alpha cameras now have dazzling color. The video was shot with the a7 III, Sony 85mm f/1.8, Cine2 picture profile and edited in DaVinci Resolve using an LG OLED as a grading monitor.
Alongside the newly released Pro II LUTs, Paul Leeming has also given us Athena LUTs, which he says “are a brighter version of Pro II, designed around placing middle grey (also known as 18% grey) at the 50% IRE level after the LUT has been applied, while retaining the same perfect colorimetry”. Both Athena and… Read More
Here are a few screen grabs from a recent project, shot with the Sony a7 III, FE 85mm f/1.8, Cine2 and graded with Leeming LUT Pro and RocketStock LUTs.
All shot with the Sony a7 III and 85mm f/1.8, ISO 100, sharpening at -7. I was working in ultra-harsh lighting from around 9:00 – 10:30AM, no reflector. Since I’m having serious banding issues because of YouTube compression, it’s going to be a while before I sort it out and upload. This also happens to… Read More
Custom white balance using the X-Rite color checker. This will give you consistent results. Unfortunately, Sony makes doing custom white balance much more tedious than it needs to be. ND Filters. In broad daylight, exposures can be in the thousandths of a second at f/9 or f/10. This might be fine for architectural or landscape… Read More