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I'm running out of superlatives, but sensational is the only word I can think of that describes the color and tonality that are possible when using the Leeming LUT with Panasonic HLG footage. Head on over to Leeming LUT One to purchase yours today. Lumix GH5, Olympus 75mm f/1.8, ISO 400, HLG, All-Intra, 400Mbps
A small but vocal minority in the video forums, which has been going on about the decided shortage of decent videos online shot with the Lumix GH5, is now pining for the good ole days of the GH2, when apparently everybody and their grandmother were shooting masterpieces with Panasonic's groundbreaking camera. Others are joining in,... Continue Reading →
With the new Leeming LUT One for Panasonic HLG with 16-235 range adjustment (beta), the order of operations in FCP X has been greatly simplified. First, create your library, event and project and import your media as usual. Next, select the clips in the browser, and in the Inspector, click on Camera LUT - Custom... Continue Reading →
Is there any difference at all between applying the new Leeming LUT - Panasonic HLG v501 (16-235) as a custom camera LUT or as a custom LUT? I'm not seeing any, but then again, I'm pretty sleepy! hehe In short order, getting unbelievably beautiful-looking color in FCP X will be as simple as highlighting all... Continue Reading →
Frame grab, Leeming LUT One beta version Panasonic HLG v501 + built-in 16-235 range adjustment Paul Leeming is working on a beta version of his Panasonic HLG LUT with a built-in 16-235 range adjustment that will eliminate the need to apply two LUTs in FCP X 10.4. The first image is with the Fixie LUT,... Continue Reading →
Update: New, simplified workflow for Leeming LUT One - Panasonic HLG v501 (16-235) here. Once you've created your library, event and project and imported footage, you'll notice that clips in the browser appear blown-out like the image below. What you'll want to do is go into Final Cut Preferences and select 'Show HDR as RAW... Continue Reading →
Lumix GH5, Olympus 75mm f/1.8, HLG, All-Intra, 400Mbps, ISO 500
Final Cut Pro users need no longer be left out in the cold when using the Leeming LUT as a result of not being able to select proper data levels. The Fixie LUT is designed to be applied to footage before the Leeming LUT and is available for free download here. Without Fixie LUT (L),... Continue Reading →
Unable to find a proper support for my newly purchased Ninja Inferno, I flew to Bangkok this morning to pick up the Bright Tangerine Titan Arm. The manufacturer claims it can support up to 8kg/17lbs, and there's no doubt in my mind that this is no exaggeration. You've really got to handle one of these... Continue Reading →
The Daejeon Chronicles 