RED Komodo: ISO 250 vs. ISO 800

Shooting at ISO 250 with RED results in more visible shades (stops of latitude) in the shadows and less noise (though we're hard-pressed to see the difference in the screenshots), but also considerably less highlight protection. Both screen grabs are from clips that have been exposed as much as possible without highlight clipping. You can... Continue Reading →

RED: How ISO Works

Clarity and conciseness are such rare commodities these days! Nowhere has this been more evident than in the deluge of muddled videos cluttering YouTube since the release of firmware update 2.00 that adds Cine EI to the Sony FX3. Whenever possible, when searching for reliable information, it’s usually preferable to go straight to the source,... Continue Reading →

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