Camera: Lumix GH5 Lens: Veydra Mini Prime 85mm T2.2 Settings: HLG, ISO 400, ALL-Intra, 400Mbps, T2.2 Leeming LUT Pro Beta v602 “Botein” by SPCZ Source License
Coming Soon – Vol. II: Best Cinema Lenses for GH5s, X-H1, a6500 & Pocket 4K
Below are some screen grabs from a series of videos shot with the Veydra Mini Primes. Camera: Lumix GH5 Lens: Veydra Mini Prime 85mm T2.2 Settings: HLG, ISO 400, ALL-Intra, 400Mbps, T2.2 Leeming LUT Pro Beta v602
Leeming LUT Pro Panasonic HLG Beta v602
The indefatigable Paul Leeming is again at work on yet another LUT with improved colorimetry for Panasonic’s HLG. Leeming LUT One Website
Lumix GH5, Olympus 45mm f/1.2 PRO
Nomad Cafe
“Easy” by SPCZ Source License
Portrait of Huong
“Keep it in Your Heart” by Lobo Loco Source License
Does the BMD Pocket 4K Render the GH5 Obsolete?
There’s a lot of understandable excitement online surrounding the announcement of Blackmagic’s successor to the five year-old Pocket Cinema Camera. In their enthusiasm, many are still repeating the same tired BS that Panasonic’s GH cameras produce garbage, plastic looking footage, and that this marks the beginning of the end of the GH5 and GH5s. I… Read More
Has Panasonic Killed Off Cinema Lenses?
The primary reason for using cinema lenses is for pulling focus. Focus pulls have become a hallmark of the cinematic look. However, cinema lenses can run anywhere from around $1,000 to over $30,000 apiece. And that doesn’t include extra expenditures like rails, matte box, follow focus, a heavy duty tripod, an external monitor, batteries, cables and more. Not only… Read More
Get Consistently Good Exposures with HLG
I still see filmmakers struggling with exposure shooting HLG with their GH5. In order to get consistent results, be sure to set your zebras at 90% – this should help avoid clipping of the red channel. Next, using a white balance card like the X-Rite ColorChecker, reduce exposure just until the zebras disappear. You should… Read More
Underrated? The Sigma 60mm f/2.8 DN for Micro 4/3
I’ve begun a new project – a mini-documentary – and couldn’t make up my mind which lens to use for the interview portion: so I took along the Sigma 30mm f/1.4,the Sigma 60mm f/2.8 and the Olympus 75mm f/1.8. The Olympus 75mm f/1.8 has been my go-to lens for portraiture, but I didn’t necessarily need… Read More