If you’re still trying to grade using your Mac’s display, then this article isn’t for you. This is strictly for those using DaVinci Resolve on a Mac and grading rec. 709 footage at 2.4 gamma using a calibrated external display for delivery to YouTube. We aren’t interested in emulating Final Cut Pro’s 1.96 gamma with… Read More
After months of agonizing, I finally broke down and hired a professional calibration technician to adjust my LG OLED C7, calling the very first name that popped up in a Google search for Ho Chi Minh City. The price was steep – $300.00 – but the quest for perfect color has become a crazy obsession.… Read More
Occasionally, YouTube doesn’t recognize the master files I create in Final Cut Pro as HLG HDR, so I’ve taken to uploading my HDR projects to YouTube through Compressor.
So basically, if you’ve got a camera that shoots RAW or LOG, for around the cost of the GH5s, you can get yourself a Ninja Flame or Inferno, a BMD UltraStudio Mini Monitor and the best 55″ OLED TV on the market and begin creating and enjoying HDR videos that blow the socks off anything available today. What… Read More
What exactly is the point of advertising that the Ninja Inferno is also able to serve as a portable editing solution if the required converter costs triple or quadruple what you paid for the recorder/monitor itself? But that’s exactly what Atomos is doing. I was on the phone with Atomos technical support in Melbourne this… Read More
Perhaps you’ve noticed that your videos on YouTube are a pale version of what you saw on your camcorder’s LCD screen. Whether you’re exporting your movies to QuickTime first or uploading directly from iMovie, the colors appear less saturated, blacks a dark gray. Below is a comparison between the original .MTS file and the same… Read More