We should have a new HDR10 video up in the next week.
This weekend, Armando Ferriera will be uploading a video to his YouTube channel in which house colorist at Dolby Laboratories in California Shane Ruggieri talks about his workflow grading a7s III footage. Shane is one of the world's foremost experts on high dynamic range video. https://twitter.com/mondobytes/status/1321154876097753089?s=20 https://twitter.com/mondobytes/status/1320847103447330816?s=20 And here it is! https://youtu.be/2K9oe7aEpdg
At just $6499 for a set of six lenses - 25/35/50/75/100/125mm T2.1 (PL or EF) - that's what I paid for my Veydras back in the day! https://youtu.be/XFsmTXLc2Hw
The Sigma 85 is simply unbelievable! That and the a7s III are a dream combo. Shot with XAVC S-I 600M 10-bit 4:2:2 at 60p. https://youtu.be/SfWp4OUdumQ
Those ProRes RAW HQ files are incredible. Far from the most photogenic human bean on earth, but when shooting with the a7 III, my skin always looked splotchy. a7s III skin tones are a ginormous improvement. Meanwhile, I’m still awaiting answers to a couple of questions about the Ninja V, in particular about the zebras... Continue Reading →
Shot with the Sigma FE 85mm f/1.4 DG DN, the sharpest 85mm lens in the E-mount system, with incredible autofocus speed and accuracy and recorded in 4K ALL-I, the highest quality, least compressed internal codec of the a7s III, and the gold standard for digital cinema. It will play smoothly on many computers even without transcoding.... Continue Reading →
At long last, we've got a bunch of models lined up! The Sigma 85mm f/1.4 DG DN is one spectacular lens and the autofocus performed nearly flawlessly this morning (speed and sensitivity both set to 5). What's amazing is how tenacious eye detect AF is, even when overexposing S-log3 by a couple of stops. I'd... Continue Reading →