ProRes RAW Update in Final Cut Pro

It's no secret that one of my biggest disappointments with Sony choosing to go with ProRes RAW for the a7s III was that critical information stored in the metadata was inaccessible in Final Cut Pro, meaning that it did not have the true flexility of RAW. All that's changed now, with Apple announcing the ability... Continue Reading →

RAW Remarks

If the 8K RAW sample footage I downloaded and imported into Resolve last night was indeed from the R5, it is a dream to work with. Just a few points though about the RAW craze, ProRes RAW, Sony and what exactly we are looking for in a hybrid camera: 1. Most people cannot grade RAW.... Continue Reading →

RAW Video – The Next Battleground

A couple months ago, I wondered aloud whether Sony would respond to Nikon’s announcement that their Z cameras would be able to record RAW video with the Atomos Ninja V (ETA sometime in the fall, if I’m not mistaken). And now, with breathless reviews pouring in of Blackmagic’s implementation of BRAW in their $1,300 P4K... Continue Reading →

Sony a7s III to Feature RAW Video?

All pure speculation, but since Nikon announced at CES that they’re working on adding C-Fast support and ProRes RAW (when paired with the Atomos Ninja V) to their Z cameras, could this mean Sony’s also got something similar in store for their videocentric a7s III? This is big for several reasons, not least being it... Continue Reading →

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