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https://youtu.be/VasxLZl4YyU While we didn't end up using the boom arm after all, the photos show how easy it is to set up with lights as compact and lightweight as the Nanlite Forzas. For counterweights, we just used a couple of Lacie Rugged RAIDs and two NPF batteries. hehe
We got this arrangement from Bill Holshevnikoff, author of the Arri Lighting Handbook. Since we don't have Arri lights, we placed a Nanlite Forza 300 fitted with an FL-20G fresnel lens perpendicular to the camera and directed it toward a reflector, which then becomes our key light, creating a soft light with gentle wraparound and... Continue Reading →
In the video, we demonstrate one way to create depth and contrast for HDR in a hopelessly cramped living space (16 m2) using lighting modifiers - specifically the Nanlite Projection Mount and Aputure Lantern Softbox - along with the Nanlite Forza 300 and Forza 60. Nanlite PJ-FZ60-19, Forza 60 We've spared no effort in order... Continue Reading →
We care about color. We've white balanced using the X-Rite ColorChecker Passport Video. We've calibrated our display with Calman Home for LG. We've aligned the color chips on the vectorscope with hue vs. hue. We've begun working in DCI-P3. So what's next? ☺️ Have a look at the white balance in the two RGB parade... Continue Reading →
https://youtu.be/_S7pMM54IJE This is only the second video graded using the LG OLED C7. I talk about the lighting arrangement, the digital audio recorder I'll be using until I can find a decent microphone and the new curtains in my room. 🙂
Sony a7 III, 85mm f/1.8, Lishuai C-700RSV
Lumix GH5, Lishuai C-700RSV LED
Here's a frame grab from the project I'm working on now - shooting models with LED lights. Lumix GH5, Olympus 75mm f/1.8, HLG, 400Mbps, ALL-I, ISO 500, Lishuai 700RSV For those who are interested, here are screen grabs of the waveform scopes before and after applying the Leeming LUT at 100%.
In preparation for my upcoming project, shooting models with LED lights, I've been testing out my Lishuai 700RSV, a 20-inch edge light, and playing around with the new color controls in FCP X 10.4. I've gotten lots of requests to see more footage shot with the Veydras, so I'll do my best to include those... Continue Reading →
To the best of my knowledge, nobody in the online filmmaking community has discussed or tested the Rotolight Neo, even though it is marketed to both photographers and videographers. On the other hand, small, rectangular, credit card-sized lighting solutions by companies like Aputure seem to be very popular. I'm guessing it's because the Neo is... Continue Reading →
https://youtu.be/k0VYnzHMv5A I'm still playing around with my new studio light, the Lishuai LED 100WB-56, a 100 watt monolight, along with a Godox softbox and reflector. The light is distributed under the Fotodiox name in North America. Last time, I shot while there was still daylight, this time I shot in the evening and the colors... Continue Reading →
For my first video with studio lighting, I'm using the Lishuai LED 100WB-56, a 100 watt daylight balanced fixture, along with a Godox softbox. Kelvin temperature was set manually in camera and Panasonic's Image App was used to focus and start recording. The video was uploaded straight to YouTube from the memory card. My studio... Continue Reading →
Pun intended! So I just bought my very first video lights: a Lishuai LED 100WB-56 and Godox Softbox for vlogging, a Lishuai 700RSV and Yongnuo YN216 for location shoots; and I'll be going to shoot a model in the park later this afternoon. I'll be bringing along the G85 and three lenses: the Leica 42.5 f/1.2,... Continue Reading →
After some five or more years of shooting street life here and in South Korea, I'm getting burned out. I made the decision to start concentrating on doing short narrative films, vlogging and maybe even some fashion shoots instead. But in order to do that, I'll need some nice video lights. Initially, I was going... Continue Reading →
The Daejeon Chronicles 