I was just in the middle of doing yet more tests to determine the very best zebra settings for the a7s III when I came across this - arguably the single most important step toward getting vibrant, contrasty, High Dynamic Range images in Final Cut Pro - adjusting exposure. Simply pulling shadows down till they... Continue Reading →
HDR Reference White
The ITU-R BT.2408 document describes a reference (i.e. diffuse) white level for HDR content of 203 nits. It might seem logical therefore to render SDR content at 203 nits peak, by simply scaling the luminance. Recent research suggests that this approach does not preserve the ‘look’ and ‘creative intent’ of SDR content. In addition, despite... Continue Reading →
Tip for Acquiring the Cinematic Look
One effortless step toward the cinematic look is to place an HSL curve at the very beginning of your grading workflow (after applying Leeming LUT Pro) and desaturating shadows. No desaturation With desaturation
Leeming LUT Pro ‘Athena’
Alongside the newly released Pro II LUTs, Paul Leeming has also given us Athena LUTs, which he says "are a brighter version of Pro II, designed around placing middle grey (also known as 18% grey) at the 50% IRE level after the LUT has been applied, while retaining the same perfect colorimetry". Both Athena and... Continue Reading →
Get Stunning Color From Your a7 III
https://youtu.be/be8DDa-1aq8 If the audio sounds a little better in this tutorial, it's thanks to Serge M's wonderful guide to using the Audio Compressor effect in Final Cut Pro.
Leeming LUT Pro Sony S-Log2
I almost always shoot Cine2, but a question from a forum member over at DPReview about noisy footage at ISO 3200 inspired me to whip out my a7 III and try out S-Log2 for only the second time in two years. I dragged the clip into the Final Cut Pro timeline, threw on Paul Leeming's... Continue Reading →
Achieving Perfect Color and Skin Tones in FCP X, Part II
In the second part of this tutorial, we color correct a shot taken with a daylight balanced LED light. The image is already looking pretty good straight out of the camera, and the differences might be too subtle to see given that the images uploaded to WordPress are small and much darker than the originals.... Continue Reading →
Achieve Perfect Color and Skin Tones in FCP X, Part I
In a previous post, we looked at how to expose for skin tones, and now we deal with how to turn those properly exposed clips into beautiful looking footage through color correction. This is an abbreviated version of Caleb Pike's wonderful tutorial on YouTube in which he explains how to get perfect color every time... Continue Reading →
Sony a7 III: Magenta Cast
https://youtu.be/qnHb8bD4nqU "Bounced" by Cheese N Pot-CLicense
The Eternal Quest for Perfect Color
X-Rite i1 Display Pro The search for perfect color is never-ending, but I’ve just added one tool to my arsenal that was long overdue – a display calibrator – which should help bring me much closer to my goal. Two reasons I waited so long are that calibrators aren’t cheap here in Vietnam; and I... Continue Reading →
Leeming LUT v502: Basic Color Correction Workflow in FCP 10.4.1
1. Drag the footage onto the timeline. 2. Add camera LUT - Leeming LUT One - Panasonic HLG v502. 3. Adjust the shadows, midtones and highlights using the color wheels. 4. Fix the color temperature using the color temperature control. 5. Boost color using the saturation control on the left side of the master color... Continue Reading →
How to Work with the Leeming LUT for Panasonic HLG in FCP X 10.4
Update: See new workflow with Leeming Fixie LUT here. For those looking to work with Sony's HLG, here's the workflow. Apple has gone ahead and and released what can only be described as a humungous update for Final Cut Pro, including the ability to edit 360° video, advanced color grading tools like curves and wheels, look up... Continue Reading →
How to Import XML Files into Resolve Without Crashes
I'd had Resolve in my applications folder for forever but not for one second did I think I would ever need it, let alone learn to use it. But since I became interested in color grading, I realized FCPX wasn't going to cut it. There remained only one obstacle - importing XML files into Resolve from... Continue Reading →
Lumix GH3: Color Grading With LUT Utility and Grading Breakdown
In all of the digital video I've done over the past two years, virtually the only manipulation I ever applied in order to enhance the image has been to reduce contrast, color saturation and in-camera sharpening. When it came to editing, any adjustments were solely to correct for over- or underexposure. It has only been... Continue Reading →