One effortless step toward the cinematic look is to place an HSL curve at the very beginning of your grading workflow (after applying Leeming LUT Pro) and desaturating shadows.
Alongside the newly released Pro II LUTs, Paul Leeming has also given us Athena LUTs, which he says “are a brighter version of Pro II, designed around placing middle grey (also known as 18% grey) at the 50% IRE level after the LUT has been applied, while retaining the same perfect colorimetry”. Both Athena and… Read More
If the audio sounds a little better in this tutorial, it’s thanks to Serge M’s wonderful guide to using the Audio Compressor effect in Final Cut Pro.
I almost always shoot Cine2, but a question from a forum member over at DPReview about noisy footage at ISO 3200 inspired me to whip out my a7 III and try out S-Log2 for only the second time in two years. I dragged the clip into the Final Cut Pro timeline, threw on Paul Leeming’s… Read More
Update: Do not calibrate your external monitor with a Mac. See here. In a previous post, I noted that my iMac prevented me from installing calibration software downloaded from the Asus website. I sent a message off to Asus technical support, but they’re pretty shiite. Apple support is better by miles. I since learned that… Read More
In the second part of this tutorial, we color correct a shot taken with a daylight balanced LED light. The image is already looking pretty good straight out of the camera, and the differences might be too subtle to see given that the images uploaded to WordPress are small and much darker than the originals.… Read More
In a previous post, we looked at how to expose for skin tones, and now we deal with how to turn those properly exposed clips into beautiful looking footage through color correction. This is an abbreviated version of Caleb Pike’s wonderful tutorial on YouTube in which he explains how to get perfect color every time… Read More
“Bounced” by Cheese N Pot-C License