Leeming LUT Pro ‘Athena’

Alongside the newly released Pro II LUTs, Paul Leeming has also given us Athena LUTs, which he says “are a brighter version of Pro II, designed around placing middle grey (also known as 18% grey) at the 50% IRE level after the LUT has been applied, while retaining the same perfect colorimetry”. Both Athena and… Read More

Is An I/O Interface Really Necessary?

Update 23.01.2020: I have confirmed that the Asus PA32UCX, UltraStudio 4K Mini and Final Cut Pro do indeed work with HDR PQ. The reason to use a dedicated IO card (like the UltraStudio 4K) is that it gives you a properly managed colour pipeline that by-passes the operating system’s GPU and colour profile settings and gets… Read More

Ninja Inferno Saga Continues

In spite of my messages to them, Mystery Box, without so much as verifying their claims, still insist that the Ninja Inferno, coupled with the BlackMagic Design Ultrastudio Mini Monitor, will work as a grading monitor with any computer: And since you’re working with a 1080 display and are managing the HDR interpretation yourself, you can… Read More

Ninja Inferno as Run ‘n Gun/Portable Grading Monitor Solution?

Atomos markets the Ninja Inferno as a professional tool for cinematographers, with a gloriously bright, 1,500 nit display, heaps of exposure and focusing aids, touch screen interface, a variety of codecs, XLR inputs, Atom HDR for obtaining perfect exposure with Log footage for HDR delivery, 4K 60p recording, as well as for use as a… Read More

How to Work with the Leeming LUT for Panasonic HLG in FCP X 10.4

Update: See new workflow with Leeming Fixie LUT here. For those looking to work with Sony’s HLG, here’s the workflow. Apple has gone ahead and and released what can only be described as a humungous update for Final Cut Pro, including the ability to edit 360° video, advanced color grading tools like curves and wheels, look up… Read More