Update: New, simplified workflow for Leeming LUT One – Panasonic HLG v501 (16-235) here. Once you’ve created your library, event and project and imported footage, you’ll notice that clips in the browser appear blown-out like the image below. What you’ll want to do is go into Final Cut Preferences and select ‘Show HDR as RAW… Read More
Final Cut Pro users need no longer be left out in the cold when using the Leeming LUT as a result of not being able to select proper data levels. The Fixie LUT is designed to be applied to footage before the Leeming LUT and is available for free download here.
CRFTSHO is at it again, spreading falsehoods about HLG, saying it uses less of the color space of the GH5 sensor than V-Log, which simply is not true. They might come across as more credible if they had the footage to back up their claims, but their ugly, blurry, poorly exposed shots of Christmas tree… Read More
Here’s a frame grab from the project I’m working on now – shooting models with LED lights. For those who are interested, here are screen grabs of the waveform scopes before and after applying the Leeming LUT at 100%.
In preparation for my upcoming project, shooting models with LED lights, I’ve been testing out my Lishuai 700RSV, a 20-inch edge light, and playing around with the new color controls in FCP X 10.4. I’ve gotten lots of requests to see more footage shot with the Veydras, so I’ll do my best to include those… Read More
Update: See new workflow with Leeming Fixie LUT here. For those looking to work with Sony’s HLG, here’s the workflow. Apple has gone ahead and and released what can only be described as a humungous update for Final Cut Pro, including the ability to edit 360° video, advanced color grading tools like curves and wheels, look up… Read More
I’m at work on several projects at once: how to shoot models using natural light and how to shoot HLG and use the Leeming LUT in post. The frame grabs below were shot with HLG, 400Mbps, ALL-Intra, ISO 400. Leeming LUT applied, no color correction in post.