There’s not really much I can add to what’s already been said about the 135 GM, a spectacular instrument that we nevertheless seldom see being employed by filmmakers. I’ll confess it was a challenge trying to navigate the narrow passageways of 14 Ton That Dam in district 1 and shooting in seriously cramped quarters with… Read More
Not that anyone would notice, but this is the first video shot with the Sigma FE 85mm f/1.4 DG DN where I bothered to turn on in-camera distortion compensation. 🙂
Yet another attempt to try eliminating the green tint in camera to save time fixing in post.
RAW video is noisy af and benefits from noise reduction. However, because denoising ends up softening the image, we’ve got to add sharpening. In this video, we test drive Final Cut Pro’s built-in noise reduction software. I dislike grainy footage, so I’ll probably choose to set NR on ‘medium’ and sharpening on ‘low’ until I… Read More
This is just a superficial comparison between Sony a7s III S-Log3 and ProRes RAW HQ. Because I was recording them simultaneously, one internally, the other to a Ninja V, I had to settle on a compromise exposure. For S-Log3, I normally use the camera’s own zebras set to custom 2 lower level 94% and for… Read More