Not that anyone would notice, but this is the first video shot with the Sigma FE 85mm f/1.4 DG DN where I bothered to turn on in-camera distortion compensation. 🙂
RAW video benefits from noise reduction. However, because denoising can end up softening the image, we’ve got to determine whether or not to add sharpening and if so, how much. In this video, we test drive Final Cut Pro’s built-in noise reduction software. This is one aspect in post where it is really advisable to… Read More
This is just a superficial comparison between Sony a7s III S-Log3 and ProRes RAW HQ. Because I was recording them simultaneously, one internally, the other to a Ninja V, I had to settle on a compromise exposure. For S-Log3, I normally use the camera’s own zebras set to custom 2 lower level 94% and for… Read More
The video was shot in available light, no reflectors or diffusers. Equipment used: iFootage Wildbull T7 tripod, Tuba cage, Bright Tangerine Titan arm, Ninja V.
This weekend, Armando Ferriera will be uploading a video to his YouTube channel in which house colorist at Dolby Laboratories in California Shane Ruggieri talks about his workflow grading a7s III footage. Shane is one of the world’s foremost experts on high dynamic range video. And here it is!