The number one resource for information about HDR technology, workflows, tutorials, news and opinion.
https://youtu.be/DUPLPDAnYqI Tito Ferradans says it's the best budget anamorphic option. We just preordered the RF mount Great Joy 85mm T2.9 1.8X full frame anamorphic cinema lens over at Indiegogo. The mirrorless mounts are just $1,189, a price that would have been unthinkable just a few years ago, but sales of the ever so slightly more... Continue Reading →
The RED Komodo is to get Gio Scope, ELQ and improved AF, quite possibly before Christmas. Gio Scope is like if false color and the zone system had a child together but reflects the RAW sensor data and is unaffected by ISO and white balance. The Komodo will be the first of the DSMC 3... Continue Reading →
Are you shooting RAW? If not, why? Are you recording as much data as necessary while neither clipping highlights nor crushing shadow detail? Are you using the appropriate scopes and tools for judging HDR exposure? If you're shooting with a camera that uses EI (where ISO is just metadata), are you halving your ISO? Noise... Continue Reading →
There's next to no sample footage out there of Phil Holland's philmColor LUTs for IPP2, which is bonkers, because these are quite possibly the best looks out there for RED shooters. And without question, for RED filmmakers delivering HDR projects. When the LUTs are used in camera, you can monitor in SDR with the built-in... Continue Reading →
In this clip, we try out just a handful of the over 540 LUTs included in Phil Holland's philmColor R3 LUT pack. There is a link to the downloadable movie in the description for those who can't stand YouTube compression. https://youtu.be/Z53zdkSf1gQ
The Daejeon Chronicles 