- Are you shooting RAW? If not, why?
- Are you recording as much data as necessary while neither clipping highlights nor crushing shadow detail? Are you using the appropriate scopes and tools for judging HDR exposure?
- If you’re shooting with a camera that uses EI (where ISO is just metadata), are you halving your ISO? Noise is much more visible in HDR than SDR.
- Are you using an HDR display for grading? (Asus ProArt PA32UCX, MacBook Pro (2021), LG OLED…)
- Is your display calibrated?
- Is there a Blackmagic UltraStudio 4K Mini TB3 connected between your computer and monitor? An i/o box is a must in order to bypass the operating system’s color management.
- Are you using an appropriate NLE? Final Cut Pro tools are not optimized for HDR grading and Resolve ‘Lite’ cannot handle HDR. DaVinci Resolve Studio is optimized for HDR grading.
- Are extents enabled in your scopes? You need to be able to see under- and overshoots of the signal.
- Are you using tetrahedral interpolation (and 65 grid 3D LUTs whenever possible)? HDR requires larger LUTs than SDR.
- In Preferences, is ‘Use Mac Display Color Profiles for Viewers’ enabled?
- Is the input color space of clips in the timeline on the color page correct?
- If grading on a MacBook Pro (2021), have you selected the correct reference mode HDR Video (P3 ST2084)?
- If you are grading using an LG OLED, do your peak highlights exceed the capabilities of the display? (they shouldn’t)
- Is your workflow/color management correct for the project you are working on? RedCode RAW, ProRes, S-Log3/S-Gamut3.Cine, the RAW Convertor app, the Dehancer plugin – each requires very different color management.
- If delivering in HEVC, are you using 10-bit 4:2:2 and increasing the bit rate?
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