Remote Collaboration

Aaron Hayden, colorist and owner of Color Monkey, a post-production house located in Los Angeles, California, in response to Vincent Theo's comparison of Apple's iPhone 12 Pro to the Sony BVM-X300 reference mastering monitor, adds the following: "No joke, in the current Covid environment and everyone working remotely, Netflix recommends producers review HDR color/online on... Continue Reading →

John Brawley: No Product Placement on The Morning Show

John Brawley, Director of Photography on season 2 of The Morning Show, in response to the Wall Street Journal's analysis of product placement in over 74 episodes of β€ŒApple TV+β€Œ shows, including Ted Lasso, The Morning Show, Defending Jacob, and Trying, insists that "Apple don’t dictate product placements,” maintaining that there's no product placement whatsoever... Continue Reading →

No More 23.98

A group of industry professionals spearheaded by JD Vandenberg, Director of Post Production at Walt Disney Animation Studios, is calling for the electronic display industry to begin to phase out support for fractional frame rates over time so that content can be displayed at its intended frame rate. According to the people behind the request,... Continue Reading →

Jeromy Young: Wrong Place, Wrong Time

A news.com.au report dated July 13th with the headline 'Millionaire fined after allegedly fleeing covid-ravaged NSW on superyacht' reads: A Melbourne millionaire and his crew have been fined more than $16,000 by police after they used a superyacht to escape to the Gold Coast from covid-ravaged Sydney. Jeromy Young, 44, the founder and director of... Continue Reading →

Ashley III

Colors are more intense as well as more accurate on the iPhone 12 Pro Max than on the LG OLED 55CX and there's also greater separation between the model and background, possibly because the mobile device is tracking the PQ curve more precisely. If the nails look like they're ablaze on your mobile device, it's... Continue Reading →

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