A group of industry professionals spearheaded by JayDee Vandenberg, Director of Post Production at Walt Disney Animation Studios, is calling for the electronic display industry to begin to phase out support for fractional frame rates over time so that content can be displayed at its intended frame rate. According to the people behind the request,... Continue Reading →
DaVinci Resolve 17 Highlight Bug
Highlight tool doesn't work when using the HDR panel in Resolve. Surprised it's been out for so long and no one has caught this. X-Rite WB Card Power Window + Highlight Tool Adjusting Global wheel in HDR tools breaks highlighter. Adjusting Offset wheel in Primaries, highlight behaves normally.
Ditching the Video Look
Stuff we're doing differently now from the past: during shooting, avoiding yellow in false color entirely except for specular highlights (aside from the infrequent occasions when we want to purposely blow out highlights); in post, being meticulous about adjusting white balance prior to color correction, even if it's just a few degrees; adjusting yellow, blue,... Continue Reading →
Moving Beyond Traditional Film Print Emulation
Part I: The State of HDR Film Emulation LUTs Part II: Moving Beyond Traditional Film Print Emulation Part III: CineD Review of Dehancer Pro Part IV: Dehancer Print Film Profiles Part V: Negative and Print Clarified The following excerpts are taken from Cullen Kelly's Grade School Episode 5 in response to the question, 'How do... Continue Reading →
Monster Guide: HDR10 in Resolve Studio 18 (Part VI)
Part I: Project settings Part II: BT.2020 or P3-D65 Limited? Part III: HDR Palette, project render settings, generate MaxCLL and MaxFall HDR10 metadata Part IV: HDR to SDR Conversion LUT for YouTube Part V: RAW Part VI: The Grade Part VII: The State of HDR Film Emulation LUTs & Plugins Part VIII: Why HDR Production Monitors Matter Adding... Continue Reading →
Sony FE 35mm f/1.4 GM Breathing
Back in May, when we tried racking focus with Imaging Edge, the app seemed sluggish and unresponsive. We thought we'd revisit the app again, and just as before, tap-to-focus wouldn't respond when tapping on the curtains behind us. The aperture was f/1.8, transition speed set to 1. https://youtu.be/EZSMZ0ElaHY If you notice something different about the... Continue Reading →
Sony 35mm GM Breathing: A Dealbreaker?
Graded with Colloid 2.0. https://youtu.be/3YTXYGYEL6o
Colloid 2.0 Resolve Plug-In for Colorists
Cullen Kelly is a Los Angeles-based senior colorist with credits spanning film, television, and commercials, for clients and outlets including Netflix, HBO, Hulu, Microsoft, American Airlines, and Apple. He is also the creator of Colloid 2.0, a custom suite of Resolve plug-ins for working colorists. Colloid 2.0 has been overhauled with a streamlined UI for... Continue Reading →
The Future of HDR
"Technical details aside, the most important thing to understand about HDR is that it doesn’t represent an enhancement as much as the removal of an artificial limitation. In the realm of human vision and physical light, high dynamic range is a default condition, not an added gimmick". - Cullen Kelly In his article entitled 'Three Predictions... Continue Reading →
Grading Tools: Final Cut Pro vs. DaVinci Resolve
In his video Color Grading vs. Color Correction, Cullen Kelly's articulation of the difference between Log and gamma sounds uncannily similar to our experience grading HDR footage in Final Cut Pro vs. DaVinci Resolve. "Images can be encoded in a Log or a gamma state. Gamma encoding was devised for preparing an image for viewing... Continue Reading →
Comic Book Superheroes and Villains Overtake YT
If you thought that florid travel and nature clips and garish demos for showroom floors dominated the list of the top ten HDR videos on YouTube, think again! Movie clips featuring popular comic book characters like the Joker, Batman and Shazam and pop culture icon Godzilla are killing it. Scenes from Joker (64M), Justice League... Continue Reading →
Poker
David Silberhorn is doing some rad stuff on YouTube. Maybe you should follow him. https://youtu.be/hDrvZy6i9Bw
Jeromy Young: Wrong Place, Wrong Time
A news.com.au report dated July 13th with the headline 'Millionaire fined after allegedly fleeing covid-ravaged NSW on superyacht' reads: A Melbourne millionaire and his crew have been fined more than $16,000 by police after they used a superyacht to escape to the Gold Coast from covid-ravaged Sydney. Jeromy Young, 44, the founder and director of... Continue Reading →
CineD Hit Piece on Sony Provokes Community
CineD recently published an article in which the author disputes Sony's claim that the FX9, FX6 and FX3 shoot 16-bit RAW video but brings no facts to the table, only unfounded speculation. The very first paragraph proclaims, "In fact, a true 16-Bit sensor readout only belongs to high-end cinema cameras. Yes, that’s one of the... Continue Reading →
Consumer Displays: When Your Client is David Fincher
Part I: The iPhone 12 Pro Max as a Consumer Reference Monitor Part II: iPhone 12 Pro as a Consumer Reference Display (cont’d) Part III: iOS Devices as Client Reference Monitors Part IV: Consumer Displays: When Your Client is David Fincher Dolby Vision calls for calibrated consumer displays in the grading suite but what is one to do... Continue Reading →
A Reminder: Avoid Log
For HDR projects, steer clear of recording XAVC S-I 4:2:2 internal if at all possible. Art Adams explains: "The Y’CbCr encoding model is popular because it conceals subsampling artifacts vastly better than does RGB encoding. Sadly, while Y’CbCr works well in Rec 709, it doesn’t work very well for HDR. Because the Y’CbCr values are created... Continue Reading →
DaVinci Resolve Studio 17 HDR Grading Breakdown
Node tree Excessive saturation in the shadows can be unflattering to the talent and clothing and objects in the surroundings can be distracting if left untreated. Reducing saturation is often the preferred method for eliminating unwanted color artifacts in the shadows resulting from extreme color corrections. However, you don't want to desaturate colors all the way to... Continue Reading →
Motion Picture Industry Defers HDR Aesthetic – Indefinitely?
"To date, most HDR content has been an emulation of the existing SDR experience. This is a new aesthetic and I'm intrigued when filmmakers will embrace that aesthetic rather than try to just reproduce the existing low-con films onto the HDR format." - Peter Doyle, Supervising Colorist at Technicolor (2016) Little has changed in over... Continue Reading →
The State of HDR Film Emulation LUTs & Plugins
Part I: The State of HDR Film Emulation LUTs Part II: Moving Beyond Traditional Film Print Emulation Part III: CineD Review of Dehancer Pro Part IV: Dehancer Print Film Profiles Part V: Negative and Print Clarified The final fundamental to grading photographically is to use a good print stock. This concept is largely forgotten today... Continue Reading →
Just Because
This short filmed with the Red Monstro 8K is just so damn beautiful. https://youtu.be/u4NP8ozjpLw