Why HDR Production Monitors Matter, Part I

Why HDR Production Monitors Matter, Part I Why HDR Production Monitors Matter, Part II Why HDR Production Monitors Matter, Part III Why HDR Production Monitors Matter, Part IV “Unnecessary.” “Not possible.” “Fantasy.” Those are the words of a director of photography, slumming in L.A. since wrapping up shooting of a satirical period piece for Hulu,… Read More

HDR Nirvana

ASC associate member and American Cinematographer contributing editor Jay Holben discusses HDR from the set to post with Polly Morgan, Markus Förderer, Marshall Adams, Erik Messerschmidt, Jay Holben and Dave Cole, followed by a question and answer session in a new series of in-depth interviews entitled Insights: an incredible wealth of knowledge spread across three absorbing hours. In… Read More

iOS Devices as Client Reference Monitors

We’ve already talked about how important smartphones can be when evaluating content made for YouTube. Post-production houses have always used consumer televisions to judge how their shows made for streaming services like Netflix would appear to viewers at home; but, particularly when it comes to productions like music videos and advertisements, clients need to know… Read More