If I want accurate colors from my a7s III, I shoot the X-Rite ColorChecker Passport Video, and in post, (1) I pull diffuse white down to 200 nits; (2) white balance using the white, grey and black chips, color curves and RGB overlay; (3) correct colors using the color chips, vectorscope and hue vs. hue; (4) adjust skin tone using the shape mask, color wheels and the skin tone line in the vectorscope; and (5) adjust saturation to my liking. I double-check white balance by looking at the RGB parade. At that point, I’m ready to view the image on a calibrated HDR display to refine corrections and begin color grading.
It’s imperative to connect an I/O box between the Mac and the display to bypass MacOS color management, for which I use a Blackmagic UltraStudio 4K Mini. The UltraStudio Monitor 3G, at only USD $115.00, is a good budget option if you don’t mind 1080p.
LG OLED televisions are renowned for their picture quality. The C7, C8, C9 and CX series OLEDs are the only consumer TVs approved by Dolby Vision for use as consumer reference displays. At only $1,300.00, the 55CX was a bargain!
After calibration with Calman Home for LG and an X-Rite i1Display Pro colorimeter, color accuracy of the 55CX was excellent, with delta error measuring below 2.0. LG recommends burning the set in for 100 hours prior to calibration for the utmost in consistency.
The final test is in the viewing, and overall, the colors look pleasing. Because most people watch YouTube videos on their phones, not on a television, I thought I’d pick up the iPhone 12 Pro Max – considered by many to have the best picture quality of any smartphone on the market today – as a sort of consumer reference display of my own. According to DisplayMate and HDTVTest, the color accuracy of the iPhone 12 Pro and iPhone 12 Pro Max is virtually perfect, leaving many consumer televisions in the dust. The iPhone 12 Pro Max 256GB cost me USD $1,600.00 in Vietnam.
Comparing the iPhone to the 55CX, my very first impression was just how colorful the LG OLED is. The reason for this is that the larger the display, the more vivid colors appear. On the other hand, scenes with very bright highlight detail, such as sunlight or moonlight passing through white lace curtains, are thrilling to behold on the 1,200 nit OLED display of the mobile device (around 3/4 stop brighter than the LG). Mind you, that’s 1,200 nits full screen, whereas the LG CX can only reach peak brightness on a 10% window. And whether it’s more precise PQ tracking or some other voodoo, transitions between shadows, midtones and highlights are handled more nimbly by the 12 Pro Max, giving images more three-dimensionality. However, the iPhone has a distinct greenish cast which I’d hoped in vain that iOS 14.4 would alleviate.
I downloaded MobileForge from the App Store with the intention of measuring the display, but haven’t gotten around to it yet. Could it be the screen protector? I went to the authorized reseller where I purchased my phone and compared mine with four iPhones on the showroom floor – the iPhone 12 Pro Max, the iPhone 12 Pro, the iPhone 12 and the iPhone 12 Mini – and all were pretty much identical looking except for the iPhone 12, which looked ever so slightly cooler. On the way back home, I stopped by another dealer and compared my phone with another iPhone 12 Pro Max that looked a touch cooler, similar to the iPhone 12 at the previous shop. I came away impressed with the consistency of the panels overall, satisfied that my phone wasn’t defective, but wondering how the white balance could be so different from my television set…