Sony Color Management Updates

Here are the revised settings for Sony S-Gamut3.Cine/S-Log3 and ProRes 4444 XQ Rec.2100 ST2084 (from ProRes RAW), the chief difference being no more input or output DRT.

Only restrict output color space to P3-D65 if the mastering display is calibrated to P3. Set ‘HDR mastering is for’ according to the capabilities of the mastering display.

4 thoughts on “Sony Color Management Updates

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  1. Hey Jon,

    What Compressor settings are you using to get the Pro Res Raw file into Resolve, or are you using RawConvertor?

    Tyler

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