Monster Guide: HDR10 in Resolve Studio 17 (Part V) RAW

Part I: Project settings

Part II: Color correction

Part III: HDR Palette, project render settings

Part IV: HDR to SDR Conversion LUT for YouTube

Part V: RAW

Part VI: The Grade

Part VII: Addendum

Part VIII: The State of HDR Film Emulation LUTs & Plugins

Part IX: Why HDR Production Monitors Matter

Exposure is critical. Avoid blown-out highlights and overexposed skin at all costs.

Transcoding ProRes RAW to ProRes 4444 in Apple Compressor.

ProRes 4444 is visually lossless.

Sony a7s III XAVC S-I internal codec versus ProRes RAW HQ transcoded to ProRes 4444:

Click on image below to enlarge:

8 thoughts on “Monster Guide: HDR10 in Resolve Studio 17 (Part V) RAW

Add yours

  1. Wondering why the RAW transcode defaults to Rec 2020PQ. Have you tried any other settings like not changing it from SLOG3/SGamut i.e. what came from the camera? Let Resolve handle it?

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