Part I: Project settings

Part II: Color correction

Part III: HDR Palette, project render settings

Part IV: RAW

Part V: The Grade

Part VI: Addendum

Exposure is critical. Avoid blown-out highlights and overexposed skin at all costs.

Transcoding ProRes RAW to ProRes 4444 in Apple Compressor.

5 thoughts on “Comprehensive Workflow: Sony a7s III S-Log3 HDR 10 in DaVinci Resolve Studio 17 (Part IV) RAW

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