The video is best watched on an OLED TV. It was shot at 6K 2.4:1, 50 FPS in R3D LQ. RED raw files are a joy to grade, the color and texture of the image are like nothing we’ve ever experienced. The Canon 35mm macro is a crispy little bugger with pleasant enough rendition of out of focus areas, but if you’re recording sound, you’ll have to be careful not to pick up the loud noise the lens produces when focusing. It’s also got pretty horrendous barrel distortion, so if architecture is your bag, you might want to look elsewhere. hehe Tomorrow, we put the Meike 75mm T2.1 s35 EF mount cinema lens through its paces.