We picked up Phil Holland’s philmColor R3 LUT pack the moment we learned it was discounted $75.00 for Black Friday. Will hopefully be able to share some results next weekend. Unlike some of the film emulation plugins we’ve used, these LUTs, just like the Sony Venice and RED IPP2 Creative LUTs (both developed by seasoned colorists who’ve done work for major motion pictures and streaming network shows), won’t throw exposure out of whack or add huge amounts of contrast. Just as the Sony Venice 2 custom LUTs can be used with RED footage, philmColor R3 will work with just about any camera, including the following:
– ARRI – AWG3/LogC3
– ARRI – AWG4/LogC4
– BMD – BMDWG5/FG5
– Canon – CCG/C-Log3
– DJI – DGam/DLog
– Fujifilm – FGam/FLog
– Generic REC709 – REC709/BT1886
– GoPro – REC709/FLAT
– Nikon – NGam/NLog
– Panasonic – VGam/Vlog
– Sony – S-Gamut3/S-Log3
๐ฝ๐ต๐ถ๐น๐บ๐๐ผ๐น๐ผ๐ฟย ๐๐น๐ฎ๐ฐ๐ธ ๐๐ฟ๐ถ๐ฑ๐ฎ๐ย ๐ฆ๐ฎ๐น๐ฒ – Doing a little “per diem” themed discount on philmColor R3 LUTs. $75 off until National Mason Jar Day (November 30th). This is version R3 of philmColor. For those new to all this, these are a great deal of LUTs I’ve been crafting for years for RED’s IPP2 Workflow and more recently compatible with literally every other camera that started last decade. Purpose designed for modern SDR and HDR Color Grading Workflows, notably inspired by Motion Picture Film. Have two maybe three more updates this generation before R4 gets released and yes I’m already cranking on R4. But it’s going to take a bit to top the depth of R3. Enjoy! – Phil Holland
The Daejeon Chronicles 
Leave a Reply